Camera
We see the film, not the cinema; cinema remains hidden within the film. Cinema is the Phantom of the Opera. A movement and a moment of transition, the Phantom fades away with each opera. It disappears and then reemerges in another, and another, and another, and yet another opera.
After years of ruling an offline world, the Disconnected Empire decides to take revenge. The Emperor plans to kidnap Marco Túlio, creator of Authentic Games, to bring joy to his dark kingdom. Upon entering this universe, Marco Túlio transforms into Authentic, a friendly character, and embarks on a great adventure to rescue the Craft Family and face the Empire. When all seems lost, unexpected help appears in the final confrontation.
A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.
Diagnosed with leukemia, a vibrant, soccer-loving teenager enters the hospital, where she finds purpose in friendship and her example influences others.
Mina (Priscila Fantin) is arrested for defrauding the Social Security and beyond to defend the other inmates need to escape from the prison director of surveillance (Tuca Andrada). The crime involved a Senator (Antonio Calloni), trying in every way to prevent your participation to surface.
A short film on Getúlio Marinho, musician and pioneer on intrudicing Afro-Brazilian religious music in the recording industry.
