Directing
Daniela Thomas (born 1959) is a Brazilian film director, screenwriter and editor.
A woman married to a former politician during the 1971 military dictatorship in Brazil is forced to reinvent herself and chart a new course for her family after a violent and arbitrary act.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.
‘The End’ chronicles the passing of time in friendships and romances. The story is told through the memories of five friends who have partaken of the pleasures of youth in Rio de Janeiro, from the glamorous 1960s to the colorful 1980s. The five get together at the funeral of the most beloved of them, in the early 1990s. Adapted from the best-selling novel by award-winning actress and writer Fernanda Torres. The author herself has adapted the novel for television, diving into profound issues, such as aging and death. Always with Torres’ own celebrated brand of elegant, witty humor. The cast features a number of award-winning, household Brazilian actors.
During a time of political upheaval in Brazil, two strangers meet by coincidence in a foreign land and end up caught in the middle of a gem smuggling ring.
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Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife's niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.
20 short films about human rights.
The six-minute film is shot in just two locations: an old movie theater in the city of Miguel Pereira (RJ) and a multiplex in the New York City Center, in the Rio de Janeiro neighborhood of Barra da Tijuca. In front of the old movie theater, the embolistas Castanha and Caju (actually Cajuzinho, the replacement for the original Caju, who died in June 2001) unravel an extremely biting and funny "embolada", which spares no Hollywood idols: from Stallone to Leonardo DiCaprio.
On December 31st 1999, destiny brings a fugitive prisoner and a depressed middle class teacher together, as the new millennium approaches bringing hope to everyone.
In this new adventure, Maluquinho is spending the holidays at the home of his grandfather Tônico (Stênio Garcia), an inventor who lives in a small community in the interior of Minas Gerais. His friends Junim (Samuel Brandão), Lucio (Cauã Bernard Souza), Bocão (João Romeu Filho) and Nina (Fernanda Guimarães) are coming to the city to help Maluquinho organize the circus for the centenary of the city. On this trip, they meet Tatá-Mirim, a small flame that ends up making the city believe that they are being invaded by the Capeta. So they end up living many adventures.
In an empty city, scorched by the sun, the young and old confuse the fever of sunstroke with the delicate birth of passion. Like ghosts, they hover around buildings and endless flatlands in search of the ever elusive love. Inspired by 19th century Russian short stories, the plots weave and unravel together in the improbable city of Brasilia – a distorted mirror-image of the Soviet utopia – located in the heart of the Brazilian desert.
A documentary about the fathers of Bossa Nova: João Gilberto and Antonio Carlos Jobim.
This documentary chronicles Lygia Clark's retrospective exhibition in New York, tracing her entire career from her early paintings to her sensory phase.
With fireworks forming the word “Rio” in the sky and supermodel Gisele Bundchen shimmering to the tune of “The Girl from Ipanema,” Rio de Janiero welcomed the world to the first Olympic Games in South America with a serious message underlying the celebration: Let’s take care of our planet.
An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer, and the occasion is the wedding anniversary of the magazine publisher and his wife, a famous theater actress. The publisher has written an open letter to the president of the country, with serious denunciations, which will run in the upcoming issue. He risks being arrested this very evening. As tensions increase with the imminence of prison, secrets come to light revealing the conflict between the ethics sought in public life and the ethics practiced in private life.
For the first time ever, experience the work of a nation as it host the world and puts on a show like never before.
Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.
The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions.
