Writing
What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
A painter becomes obsessed and begins an affair with a mysterious woman who was touched deeply by one of his works.
In the early 70s, a rather backwards young soldier with serious family problems finds himself stationed in a small village in Spain's Levante. Secretly in love with a young village girl, Pere slips into her room one night. When he is discovered, the soldier reacts with spontaneous violence, creating an embarrassing problem for the military that the brass decide to handle--expeditiously-- as "an internal affair."
A portrait of the Spanish director Lorenzo Llobet Gràcia (1911-76), one of the outsiders of Spanish cinema, and the story of his masterpiece, a cult work that tells the story of a self-taught filmmaker who was born under the sign of the shadows, lights and chiaroscuro of cinema.
No description available.
A film that brings together fragments of celluloid that censors during the last twenty years of Franco's regime had left forgotten in the offices of the former Ministry of Information and Tourism, and where the regime's three obsessions can be clearly seen: politics, religion and sex.
