Writing
A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda FalcĂŁo), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.
Series about one of the most iconic Portuguese bands, DOCE. Doce were one of the first "girls band" in Europe, opening the way not only in the musical world, but also breaking barriers and prejudices in traditional Portuguese society. The series is based on real events, following the band's entire journey from its appearance in 1979, until the end of the initial formation. Doce has outlasted all critics and left its mark on a generation and a country.
With Botequim, in the Lisbon neighborhood of Graça, as a starting point, we will remember the Portuguese writer, poet, and great figure of the capital’s literary salons. During a long period od the her life, especially in latter years, Botequim was the centre of the writer's life, with her being the greatest personality of the salon that gathered around her.
It is 1979. Four young ladies are hired to form a girl band. They can sing, they shine with their dancing, and they shock the country. They become a big hit. They are DOCE.
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Egas Moniz, a man marked by perseverance and ambition. Audacious and in dissonance with a country full of “narrow-minded” people, Egas Moniz faced everyone so as to impose his scientific ideas, for which he was awarded, at a quite advanced stage of his life, the much-desired Nobel Prize for Medicine in 1949.
With the pandemic, Marta discovers that the partner she idealized is, after all, violent. Trapped in the apartment with her abuser, she must choose between her safety and that of her son and the end of a seemingly perfect life.
Mário and Cláudia are going through a divorce process. When Cláudia accepts job in another country, situation will lead parents to reassess many of their certainties and question the effects on the happiness of their children.
Inspired by the biography of the portuguese painter Maria de Lourdes Ribeiro, known as Maluda, who found the stage of her art in Lisbon.
