Vladimir Volkov

Vadim, a young script writer, is killed in Moscow. What's more, he had reached his height of popularity a long time ago. His friend, successful businessmen Maksim Krivoshein, begins his own investigation. Memories of their childhood and the chance discovery of Vadim's diary leads to some shocking discoveries.

The young director tries to make a movie, following the script of the venerable playwright as much as possible.

Two colleagues go to fetch the body of their co-worker from a neighboring town where that man died unexpectedly. As this person has no kin, the director of the factory chooses to send Markerants and Mityagin to deal with the whole business. And here the adventures begin...

Vika is twenty years old. She has black fingernail polish, wears pink dresses, and is constantly depressed. While working at a pizza place, she gets an order for a pizza delivery from Venya, a strange twenty year old boy who lives all alone in a deserted apartment in the middle of Moscow. Venya suffers from agarophobia, the fear of open space. When Vika arrives Venya lets her in and locks the door behind her.

Father Alexey (a member of the Auctioneer group Oleg Garkusha), an elderly, eccentric and kind priest, spends his days alone, except for visiting his sick brother and his daughter. One day he receives an assignment to visit a deaf girl Violetta (Vasilisa Perelygina) in prison, falsely accused of setting fire to a church. When Father Alexei recognizes her as an orphan, whom he baptized as Barbara in infancy, a new meaning appears in his life.

Many many words have been written and a few ingenious TV documentaries have been filmed about the great Russian rock band Auktyon, which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music facade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: "You should not look at the liberty too much, you might feel dizzy.

It took nine years to create two feature films. They were conceived as a movie-diptych about Leonid Fedorov and a group of musicians formed around him.

Thirteen-year-old Varka lives in a shoemaker’s home where she performs the duties of nanny and housemaid. Varka’s only wish is to get some sleep.

Dina Loskutova, a person with severe disability, moves from a psycho-neurological boarding school to the House in the wild, where she can live with other people with disabilities and developmental disorders, in the village of Razdolye among ordinary people. How does their life, about the joys and trials of the first years of free life, this film tells.