Lothar Schuster

A documentary about the events at the German Film and Television Academy Berlin (dffb) in November 1968, which led to the termination of the training contracts of 18 students. While Director Heinz Rathsack dictates to his secretary Helene Schwarz the letter lifting the ban from the premises against 18 students, the students plan a general assembly inside the dffb despite the ban.

During a routine visit to an acquaintance, an old, single Sorbian woman reflects on her life.

Reconstruction of the APO demonstration on November 4, 1968, in front of the Berlin Regional Court.

The life and struggle of the Lower Sorbian poet Mina Witkojc - her uncompromising stand against the war, her expulsion from her homeland and her welcome to the Soviet liberators.

Documentary about the Fifth Festival of Sorbian Culture 1980 in Bautzen.

In 1980, a company in Berlin-Kreuzberg sold its factory premises to 30 alternative projects that wanted to try out self-management and alternative forms of work. The documentary film attempts to show the extent to which these aspirations were realized; it describes the problems and forms of self-management and the initial difficulties that Mehringhof had, particularly with its financial backers.

HARUN FAROCKI – TAKE TWO combines two perspectives on filmmaker Harun Farocki. For his TV documentary “Die Sache mit der Realität. Eine Collage über Dokumentarfilm” (1996), Lothar Schuster had a long conversation with Farocki, whom he had known since the late 1960s. Farocki discusses the idea of the Enlightenment, the compositional patterns of his films, the relationship between image and text. Ingo Kratisch, responsible for the camera in many of Farocki’s films between 1977 and his death, used his photo and film camera to record casual observations during the shooting of “The Creators of Shopping Worlds”(2001), “In Comparison”(2009), “Serious Games”(2009/10) and other films. In HARUN FAROCKI – TAKE TWO, Schuster’s and Kratisch’s footage alternates; discourse and observation comment and complement each other. On the one hand the gradual construction of thoughts during speech, on the other the act of patiently waiting, making pauses and preparing to shoot.