Directing
In the eighties, in the Argentine Republic, a young journalist (Joaquín Larson) is induced by the professors of the Miskatonic University to do his thesis, in "exorcisms", in documentary format. The young man travels to the desert to meet two religious experts in exorcisms, who claim to be the guardians of a portal where the bodies and souls of native peoples massacred by the white man are found. Together they will face a demon called Dominom where there will be room for blood, bible and other demons.
Immersed in an immobile and humid landscape, Alex and Patricio perform their daily labor in the fields. But this almost immutable routine hides uncertainties and wishes they will have to confront, when the transformations in their work and the territory dissolve the securities and affect them directly.
In 1872, three priests are set to be executed by the Spanish authorities. But before they are put to death, they suddenly find themselves transported to present day.
Documentary about Gordon Matta-Clark, who died in 1978 at the age of 35 and is considered one of the most interesting and valuable independent artists in the United States. Son of the famous Chilean painter Roberto Matta, the artist was born in New York, the city where he developed a large part of his career, founding the movement called "anarquitectura".
A poetic journey from Tierra del Fuego to Santa Cruz de la Sierra, Bolivia, made by nine Latin American and European poets, artists and architects in 1965. Recostructing the events that made this unique experience of art and life possible, as well its consequences, like the foundation of the vanguardist school of architecture of Valparaíso University and the building of an “Open City” in the sands of the Chilean Pacific Ocean.
Jerónimo is an antisocial local man who rents rooms in his home to expats so he can snoop around their belongings. One day Sanna arrives, a girl who will change Jerónimo’s life. They start getting closer until Jerónimo discovers that Sanna is hiding something in his house.
