Directing
Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.
A rushing river caresses the life of a small town in southern Argentina: Choele Choel. Coco is an eleven-year-old kid who intensely wishes to be a grown-up, to be a man. A walk along the river with Johana -his new Venezuelan neighbor- initiates Coco in the adult world. But his father and life itself slow him down and make him feel small and insignificant; just a child. When life gets complicated it is probably best to let oneself go with the flow and float down the river like a drifting log.
Inspired by his love affair with a conservative lawyer, the lead singer of a struggling garage band pens a hit song that propels him to fame.
Mariana is a woman who has dedicated her entire life to equine therapy that goes over the history of how she came to that. In her youth she lived a happy and prosperous life until a particular episode leads her to have to face millionaires debts. This situation can lead to being left homeless and especially without their horses, among which stands out Artax, the only being with which his son Bruno with Asperger's syndrome manages to have a special bond that helps him to cope with his life with harmony. Mariana must fight against wind and tide in this story of struggle and resilience sustained by the love of a mother and her son.
Damián, Facundo, Luciano and Marcelo have been friends since childhood and they share the passion for classic rock and roll on vinyl records. Their relationship is also marked by other big subjects: friendship and girls. When one of them decides to get married the four lives stir up.
In the present, in Spain, Miguel's mind, affected by a brain disease, seems cloistered in the past, in Argentina, in the seventies, when he risked his life for his ideals. He is obsessed with finding a woman named Diana. Mario, his son, who has been away from Miguel for a long time, now feels compelled to unravel the mystery of a name that, like a curse, pursues his father.
Luis Ortega's apocalyptic third feature follows a group of five survivors as they embark on a journey that will force them to face their fears, dreams and longings in their quest for salvation across the Fijman River.
A young couple romantically contemplate the sunrise on the Buenos Aires waterfront. The talk becomes a discussion. The discussion in fight. And some fights can be irreconcilable. Each of them will go through the city separately, meeting with friends, family and even strangers, generating situations that will lead them to question how and why they got where they are. An external and internal journey, with learnings and reflections about love, the couple and life.
Ramiro makes a quick trip to Madrid to decide about the life of his father, who is in a coma and with whom he has never had much of a relationship.
Javier is in love with Romina. At a party, we hear his thoughts and sometimes he even talks to us. Playing between reality and fantasy, Javier will try to overcome his fears and get the girl of his dreams.
Emanuel travels to visit his grandma Catie, who lives in the countryside. He has a feeling this is going to be their last goodbye. His mother's looking after Catie and she has decided not to speak a word about grandma's diagnosis, because she does not want to embitter her. Emanuel does not agree with this decision, but on the other hand, he is also hiding his own sexuality to his grandma. Every little moment shared among them, makes strengthen family ties while mismatched feelings emerge. Emanuel should reconsider if things are really better left unsaid.
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Bruno, a grieving man, goes to Havana in a bid to reconnect with the roots of his recently deceased Cuban wife. He meets Spanish doctor Pilar, in the Cuban capital for a conference, hoping to escape the routine of her life in Madrid. At the bar of the emblematic Hotel Nacional, their paths cross – and they find an unlikely confidant in a veteran Cuban bartender who introduces them to a forgotten cocktail. As Bruno and Pilar grow closer, they wander the streets of Havana and the corridors of the hotel they share, drinking, talking, and confronting the ghosts that haunt them—through alcohol, guilt, and each other.
