Derek Fowlds

Drama series about the staff and patients at Holby City Hospital's emergency department, charting the ups and downs in their personal and professional lives.

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

Roguish comedy drama following the misadventures of small-time crook Arthur Daley.

Inspector Morse is a detective drama based on Colin Dexter's series of Chief Inspector Morse novels. The series starred John Thaw as Chief Inspector Morse and Kevin Whately as Sergeant Lewis, as well as a large cast of notable actors and actresses.

Series of single made-for-television dramas.

Antiques experts accompany celebrities on a road trip around the UK searching for treasures and competing to make the most money at auction

Dr Finlay's Casebook is a BBC television series that was broadcast from 1962 until 1971. Based on A. J. Cronin's novella Country Doctor, the storylines centred on a general medical practice in the fictional Scottish town of Tannochbrae during the late 1920s.

Thriller is a British television series, originally broadcast in the UK from 1973 to 1976. It is an anthology series: each episode has a self-contained story and its own cast. As the title suggests, each story is a thriller of some variety, from tales of the supernatural to down-to-earth whodunits.

Anthology series of dramatic works.

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.

An anthology of plays and novels adapted into feature length TV movies, broadcast on BBC2 from September 1977 to April 1979.

Gideon's Way is a British television crime series made by ITC Entertainment in 1964/65, based on the novels by John Creasey. The series was made at Elstree in twin production with The Saint TV series. It starred Liverpudlian John Gregson in the title role as Commander George Gideon of Scotland Yard, with Alexander Davion as his assistant, Detective Chief Inspector David Keen, Reginald Jessup as Det. Superintendent LeMaitre, Ian Rossiter as Detective Chief Superintendent Joe Bell and Basil Dignam as Commissioner Scott-Marle. The show did not acknowledge any help from Scotland Yard, any other police force or advisor. Daphne Anderson starred as his wife, Kate with Giles Watling as young son, Malcolm, Richard James as older son, Matthew who seemed to have a lot of new girlfriends and Andrea Allan as daughter, Pru. Unusually for police stories, Gideon was shown as a family man at home though urgent phone calls from his bosses tend to disrupt family plans too often. However, he did admit in "State Visit" that his wife had walked out on him for a while years ago when he put the job first and her second. They live in an expensive detached house in Chelsea.

Satirical sitcom set in the office of a UK Cabinet minister, Jim Hacker MP, who struggles with Civil Service bureaucracy and political machinations as he tries to get on with government business.

An idyllic picture of 1950's rural England as seen through the lives of the Larkins, a farm family living in Kent. The show revolves around Pa Larkin, a man of a kind and mischievous nature with a penchant for getting into scrapes and talking his way out of them with equal equanimity; and his daughters, as they deal with growing up and discovering the joys and sorrows of young love.

Strangers is a 1978–82 ITV police procedural created and principally written by Murray Smith, based on characters created by Kenneth Royce in his novel series and subsequent 1977–78 television adaptation The XYY Man. Don Henderson and Dennis Blanch reprise their roles, respectively, of Detective Sergeant (DS) George Bulman and Detective Constable (DC) Derek Willis. A group of police officers are brought together from across the country to the north of England. There, the fact that they're not well-known gives them the advantage to infiltrate where a more familiar local detective could not. Despite being based around a comparatively small team of detectives, a regular feature in its early years is that few episodes feature the entire team, with most using just two or three regulars in any major role.

The absurd adventures of two defective detectives, who - despite unbelievable incompetence - somehow manage to solve their cases (or be nearby when the cases are solved) and retain their jobs.

James Hacker MP the Government's bumbling minister for Administrative Affairs is propelled along the corridors of power to the very pinnacle of politics - No. 10. Could this have possibly have been managed by his trusted Permanent Private Secretary, the formidably political Sir Humphrey Appleby who must move to the “Top Job” in Downing Street to support him, together with his much put upon PPS Bernard Wolley. What could possibly go wrong?

Robin's Nest is a British sitcom, a spin-off from Man About the House, focusing on Richard O'Sullivan as Robin Tripp. It aired for six series from 11 January 1977 to 31 March 1981, and co-starred Tessa Wyatt as Robin's girlfriend – and later wife – Vicky, and Tony Britton as her father.

The Man in Room 17 is a British television series which ran for two seasons in the mid-1960s, produced by the Northern ITV franchise, Granada Television. Key to the series' success was the involvement of writer/producer Robin Chapman. The show was set in Room 17 of the Department of Social Research, where former wartime agent-turned-criminologist Edwin Oldenshaw solved difficult police cases through theory and discussions with his assistants. The novelty of the series was that Oldenshaw and his colleagues never needed to leave their office in order to resolve cases, preferring to spend their time playing the Japanese board game of Go. They simply provided their prognosis and left the police to do the cleaning up. Different directors were often appointed to film the Room 17 and outside-world scenes independently, to maintain a sense of distance between the two worlds.