Kym McDaniel

I seek treatment for a head injury and a memory is triggered from years earlier. In resistance to my past ways of coping, I release this stored body memory. The second in a series examining how I dissociate in order to cope with emotional and physical trauma.

A woman questions the nature of what it is to be alive and human, conscious or man-made. While pondering her complex co-dependence on technology, she explores the earth and its pathways, all the while dragging electrical cords behind her.

This is the fifth in a series regarding McDaniel’s ability to cope with her emotional and physical traumas: to desire; to bleed; to burn from the inside out and commit to someone new.

In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.

To apply for an accessible or Crip parking placard, a doctor within the state must approve the application. As part of the application, there are six medical conditions which qualify a person for a placard. These conditions include: (1) cannot walk two hundred feet without stopping to rest; (2) cannot walk without the use of an assistance device; (3) is restricted by lung disease; (4) uses portable oxygen; (5) has a cardiac condition; (6) is severely limited in their ability to walk due to an arthritic, neurological, or orthopedic conditions. Many people with disabilities are included in these categories, and many are not. This film is a record of my introduction to healthcare in the state of Utah. My processing of the appointment and consequential aftermath as a video object serves as a reclamation and assertion for understanding disability and the physical world otherwise.

The enormous scale of the sea offers a comforting counterpoint to intensely closed, confused feelings of grief. Dance and poetry combine to express both anguish and energy; acceptance and exhaustion.

I confront memories that have contributed to my chronic pain. The fourth in a series examining how a head injury has asked me to cope with emotional and physical traumas.

I develop debilitating chronic pain after a head injury and seek answers about why I cannot heal. I start unraveling the aftermath and realize my pain has dissociated me not only from my mind, muscles, and bones, but from the world. Segments inspired by Christine Miserandino's Spoon Theory of chronic illness. The first in a series regarding my ability to cope with my emotional and physical traumas.