Lucille M. Oliver

John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.

In an ensemble film about easy money, greed, manipulation and bad driving, a Las Vegas casino tycoon entertains his wealthiest high rollers -- a group that will bet on anything -- by pitting six ordinary people against each other in a wild dash for $2 million jammed into a locker hundreds of miles away. The tycoon and his wealthy friends monitor each racer's every move to keep track of their favorites. The only rule in this race is that there are no rules.

The Flintstones are at it again. The Flintstones and the Rubbles head for Rock Vegas with Fred hoping to court the lovely Wilma. Nothing will stand in the way of love, except for the conniving Chip Rockefeller who is the playboy born in Baysville but who has made it in the cutthroat town of Rock Vegas. Will Fred win Wilma's love?

The incredibly spoiled and overprivileged students of Camden College are a backdrop for an unusual love triangle between a drug dealer, a virgin and a bisexual classmate.

A spoof of buddy cop movies where two very different cops are forced to team up on a new reality based T.V. cop show.

In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one's life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

Frank takes Pia Postman hostage on live TV, threatening to execute her after she accepts the blame for his daughter's suicide.

An ex-con tries to go straight but also wants to get back money he's owed for the job that put him in prison. He meets a waitress who's also seen her share of trouble and they start up a tenuous relationship. Then there's a murder and things get complicated. It's noir so the plot isn't the main focus but the mood of the film is consistent and properly downbeat. The characters can't seem to shake the fate that hangs over them.