Kamila Trnková

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Real people sit down with friends and family to share terrifying true stories from their past, re-created through chilling re-enactments.

When Hana Sikorova, mayor of a northern Bohemian village, stands up to a large coal mining concern that offers villagers large compensation in exchange for abandoning their houses built on land containing brown coal deposits, her fourteen year old daughter Misha disappears. The search for her daughter makes Hana suspicious of the whole community, after years of peaceful coexistence. Under the pressure of unfolding events, the community starts to fall apart and show its true face. Solving the mystery divides the story into several interweaving narratives that ultimately connect in unexpected ways.

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The mini-series are inspired by the real, albeit incredibly terrifying, events and actions that Ivan Roubal committed in the 1990s. Hynek Čermák is in the role of one of the biggest serial killers in Czechoslovak history.

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One night and a wad of cash he suddenly has to come up with quick. So he and his friend Láďa have to set out on a wild Friday odyssey full of cocaine and rap. The pursuit of fame and respect in the music scene slowly transforms into a desperate and dangerous attempt not to miss out on the chance of a lifetime. In their adrenaline-fueled ride through the nighttime streets of Prague the pair of friends are caught in a time crunch, teetering between a rap career and a moral choice which threatens the lives of dozens of young people.

T. Dianiška's documentary fiction from behind the scenes of the assassination of R. Heydrich, in which the real story is intertwined with comic exaggeration, pop culture references, and harsh humor. 294 Brave Men was written by Tomáš Dianiška for the Divadlo po Palmovkou theater, where he also staged it with the local ensemble. As the title of the play suggests, the protagonists of Operation Anthropoid are not the main heroes in this case. 294 Brave Men refers to the people from the domestic resistance who paid with their lives for helping the paratroopers and whose names are now borne by streets in Libeň and the surrounding Prague districts. T. Dianiška treats historical facts with respect, but at the same time quite freely, and he depicts the background of "the greatest heroic deed in our history" with the help of humor, often very dark humor.

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Overwhelmed by a world he can no longer control, a quarrelsome worker in his fifties tries to preserve the integrity of his neighbourhood...

Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, are searching for the murderer of Daniela Jásková, an emancipated young woman who excelled at her job and also excelled at changing lovers. When she is found strangled in her apartment, Vašátko's team begins an investigation. They also focus on the victim's sister, Alena Kášová, who did not like Daniela very much and resented her ability to win over every man. Suspicion also falls on Alena's ex-husband, the sculptor Káš, whom Horác has known since his studies at the academy.

When a train unexpectedly changes directions, a group of eccentric passengers must work together to reach their destination safely.

The film takes place in one house, at an unspecified place, at an unspecified time. In this house, twelve dialogue stories take place and all have one thing in common - oppressive hopelessness. We witness everyday problems that become absurd under a distorted lens and become all the more real. The film follows with almost morbid interest the fates of people who, based on their actions and incompetence, are doomed. The question remains how far the characters from this "house" are.