Marjan Alčevski

Dramatic events unfold in Croatia and Ukraine. The first girl drowned, the second one died from a drug overdose. The main suspect in these deaths, however, soon turns out to be innocent - and dead too. While detective Vladimir and reporter Stribor struggle to solve these murders in Croatia, the niece of Olga, an Ukrainian philanthropist, goes missing in Kyiv.

Belgrade, 2003. When Serbian Prime Minister Zoran Djindjic is assassinated, the country plunges into chaos, and the authorities' response is to introduce a state of emergency. A turning point in recent Serbian history through the perspective of a journalist, a police officer, and a criminal.

Follow the intertwining stories of four strangers who are bound together by a violent event.

Restoring a monument made by her father, a filmmaker retraces how an artwork can be a vessel for mourning and remembrance.

After finding out that doctors in Croatia cannot help their daughter who is suffering from terminal leukaemia, the parents of five-year-old Nora Šitum see their last hope in an experimental treatment in Philadelphia. They are given just seven days to pay for their daughter’s treatment – which will cost nearly one million dollars.

Marko and Atanas are two friends whose lives would be sweet as strudel but for an annoying little problem with their papers. They need a European passport and they are prepared to do almost anything to get one, including buying a wife. With nothing but their brass necks and 7,000 euros, they set out to find the woman of their dreams.

An exploration of the personal experience of leaving, returning to and re-shaping identity. Its structure revolves around the depiction of Neli Ružić's site-specific sculpture Before the Dawn and Bogdan Bogdanović's monument Guardian of Freedom, both of which were set around the Klis fortress in different times, left to entropy and social change. The state of these sculptures activates the archaeology of time, invisible and erased history. The intention of the work is to use the mediums of film, narration and image to evoke the entanglement of personal, autobiographical and historical situation, individual and collective memory, as well as the concept of identity as an unstable construct.