Lucas Larriera

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

Actor Juan Debré has spent a lifetime playing the hero in a TV series while remaining detached from his own identity. When diagnosed with a terminal illness, he embarks on a surreal journey to Belgium, birthplace of his childhood comic book idol, in search of meaning and perhaps redemption.

Carmen and Elena Iturrioz are sisters and partners in a laboratory inherited from their parents. Both carry out the cases that reach the laboratory, together with a team of collaborators. Each episode will stage a new story that arrives at the laboratory at the hands of characters seeking to find out their identity, recognize a son or a brother, gain access to an inheritance or identify a genetic disease, among others. they will reveal who they are; they will get closer to their own personal and family identity.

In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

Blondi and Mirko live together, listen to the same music, watch the same films, like to smoke pot and share the same friends. But, even though they seem to be the same age, Blondi is Mirko's mother.

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.

A romantic weekend getaway turns into a nightmare for a couple when a trivial argument unleashes a spiral of violence fueled by jealousy and unbridled passions.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.

An aging slacker finds his comfortable status quo and family dynamic disrupted when his ex-wife and her current partner decide to move from Argentina to Paraguay and take his children with them.

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

Iris and Ariel are 17-year-old twins, who live with their mother and older sister in an old house in the middle of a rocky island covered with molluscs and birds. The teenagers have grown up isolated from the mainland, in a sibling relationship that surpasses the limits of normal intimacy. The abrupt absence of their mother deeply wounds the three siblings, and Iris, moved by a strong need of separating herself from her brother, decides to go alone to the city for the first time.

A veil of sadness lies over the oppressively hot summer days. Cleo dives into daydreams with her cousins, the girls share secret signs and rituals. Flowing gently, in impressionistic images, the empty space that the death of Cleo’s sister has left in the family is poetically encircled.

Aboard a cruise ship out at sea, a young sailor discovers a door mysteriously leading to an apartment in Montevideo. Meanwhile, a group of Asian farmers find an abandoned shed in the valley, attributing it supernatural powers.

Pray for me: Pope Francis’ story is a documentary that follows the life journey of Pope Francis, with a particular focus on his social and humanitarian work. The film portrays a man deeply devoted to the causes of the poor, the marginalised, and the forgotten: from his early years in Argentina to his role as a spiritual leader on the global stage. Blending archival footage, personal testimonies, and a thoughtful, ethical perspective, the documentary offers an intimate and timely portrait of one of the most influential figures of our time.

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What does it mean to look back? Where do we look back from? Juxtaposing extracts from the play Black Henry (2018) by Filipino-American playwright Luis Francia with locations of Basque colonial history, ‘They Speak Too’ attempts to make apparent the spectre of empire as it exists in the Basque Country. Reading these extracts translated into Spanish, filmmaker Anna de Guia-Eriksson introduces a dialogue between language, forms of registry and the physical manifestations of history, which her own person as a Filipino is included.