Joe Lynch

Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

Crown Court is an afternoon television courtroom drama produced by Granada Television for the ITV network that ran from 1972, when the Crown Court system replaced Assize courts and Quarter sessions in the legal system of England and Wales, to 1984.

The Ed Sullivan Show is an American TV variety show that originally ran on CBS from Sunday June 20, 1948 to Sunday June 6, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie, which ran only one season and was eventually replaced by other shows. In 2002, The Ed Sullivan Show was ranked #15 on TV Guide's 50 Greatest TV Shows of All Time.

Follow the swashbuckling exploits of Simon Templar, a modern-day Robin Hood of sorts.

Born of a flower and growing to only a couple of inches tall, poor Thumbelina is worried she'll never meet someone her own size, until she happens to catch the eye of Prince Cornelius of the Fairies. Just as soon as she finds love, however, it's torn away when she's kidnapped by Ms. Toad. Now Thumbelina has to escape Ms. Toad's grasp and search for Prince Cornelius. Luckily, there's a whole city of animals willing to help.

An anthology of 1920s set plays and musicals, transmissioned from 10 September to 10 December 1968 on BBC One.

A horror anthology series, with each episode featuring a different eerie tale.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

A member of British Intelligence assumes a fictitious criminal identity and allows himself to be caught, imprisoned, and freed in order to infiltrate a spy organization and expose a traitor; only, someone finds him out and exposes him to the gang...

In this fictionalised account of the Great Train Robbery, career criminal Paul Clifton plans an audacious crime: the robbery of a mail train carrying millions in cash.

Bracken is an Irish television soap opera broadcast from 1978 to 1982 on RTÉ One in Ireland. It mainly centred about rural life in and around County Wicklow in the Republic of Ireland. The main stars of the show were Gabriel Byrne and Niall Tóibín. The show was created and written by Wesley Burrowes. The show is chiefly known for being the link between two long standing RTÉ series, in that Gabriel Byrne's character, Pat Barry, had first appeared in The Riordans, towards the end of that show's run. The characters of Dinny and Miley Byrne, played by Joe Lynch and Mick Lally, first appeared on this series, they were later to become the central stars of Glenroe. Each of the three series were created by Wesley Burrowes.

Never Mind the Quality, Feel the Width is a British sitcom first broadcast in 1967 as a single play in the Armchair Theatre anthology series, later becoming a series of half-hour episodes, which ran until 1971. A total of 40 episodes were produced, all but one being believed to have aired. It was originally made by ABC Television for the ITV network, with its production being continued by Thames Television. The plot revolves around two tailors in business together: Jewish Manny Cohen and Irish Catholic Patrick Kelly. Above their shop works Lewtas, who is also Jewish and imports cloth. Two further prominent characters in the first three series are Rabbi Levy from the local synagogue, and Father Ryan from the local Catholic church.

Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility that fiendish Fu Manchu may not after all be dead, even though Smith witnessed his execution. A killer spray made from Tibetan berries seems to be involved and clues keep leading back to the Thames.

A naive young country girl moves to Dublin and finds herself drawn to a sophisticated author twice her age.

Two bank robbers, Dennis and Hal, are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they stash the cash in Hal's recently-deceased mother's coffin. Taking the coffin, they turn to Hal's father and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott.

An Englishman with a grudge against an insurance company for a disallowed claim fakes his own death and escapes to Spain, but is soon pursued by an insurance investigator.

In Dublin circa 1911, John Cassidy (Rod Taylor), an impoverished idealist, whose ambitions are restricted by the demands of looking after his family, journeys through the social injustices of Dublin life, involving himself with the rowdy tramway-men strike, dawdling with prostitute Daisy Battles (Julie Christie), and seeking a better life. He falls in love with bookshop assistant Nora (Dame Maggie Smith) who encourages him toward a life of writing. Finding success at the Abbey Theatre, his unorthodox views estrange him from family, friends, and his own past.

In 1941, the IRA plans a campaign to coincide with the planned German invasion of England. Dermott O'Neil finds it easy to get into the IRA, but can he get out?

Michael Flaherty (Craig Wasson), an American Vietnam veteran of Irish descent, returns to Belfast to join the cause of his grandfather, Seamus (Sterling Hayden). Soon he finds that he is not as welcomed in his home country as he imagined he would be. Even worse, he's the target of an IRA assassination plot designed to make the British forces look bad in order to elicit financial support from wealthy Americans.

Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a middle-aged Jew. Meanwhile, Bloom's day, illuminated by a funeral and an evening of drinking and revelry that stirs paternal feelings toward Stephen, ends with a rapprochement with Molly, his earthy wife.