Flavio C. Von Sperling

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

Marcus is not having a good day. He never seems to have a good day. He has to smash in his rear window just to get out of his Volkswagen Beetle, having parked it too close between two other cars. He has to do all the dirty work in the office, while his spoiled rich kid colleague cooks the books for profit and shamelessly flirts with all his female co-workers. He’s attracted to his next-door neighbor who gets beaten and cheated upon by her boyfriend, but she doesn’t want to leave him. And he gets robbed at knife-point right outside his apartment building. Marcus manages to take the knife and chase away his attacker, but not before he gets stabbed in the shoulder. The incident awakens something dark in Marcus. He becomes a man with a mission, determined to set right all the injustice done to him. But ones the blood starts flowing, there’s no going back.

In the wild island of Pazúcus, everything is hopeless. Oréstia & Omar seek to harmonize their relationship in a camp and find themselves gradually oppressed by nature, which changes from paradisiac to hellish. Simultaneously, inside Carlos’ intestines, fecal monsters plot his demise. This stomachic confusion makes him an easy prey for the obsessive Dr. Roberto. The paranoia, the sorcery, the madness and the prophetic voice lead their destinies to a place where the dissolution of all beings appears to be the only possibility of communion.

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Zilda has had to put up with too much crap and she ain't taking it anymore.

Mati meets up again with Julia, her girlfriend, who now lives in a distant and cold place. There, they are faced with the lack of identity and the impossibility of returning home.

Carlos finds himself troubled by a powerful restlessness. At the same time his analyst is obsessed with the idea that he should delete Carlos in order to save his island. An island is, by excellence, a troubled territory. Piece of land separated off the mainland or territory emerging and arising from the center of the world shocks : re- integrate into the sea is the ghost that haunts all the islands. There is in this tense relationship between sea and island, an opposition between civilization and destruction, shape and inform, culture and chaos united in a loving and eschatological tribute to Carlos Reichenbach, Lucio Fulci and Andrzej Zulawski.

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