Deng Jie

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A labor documentary interactive reality show that selects 10 young individuals to form the 'Farming Squad,' which will authentically document their entire process of operating a farm on 142.8 acres of land over 190 days. This includes sowing, irrigating, fertilizing, and harvesting, as well as live-streaming their sales to establish a self-sustaining farmers' market.

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Dream of the Red Chamber, first released in 1987, was a television series produced by CCTV, adapted from the classic 18th century Chinese novel of the same name. It gained enormous popularity for its music, cast, and plot adaptation, being regarded by many within China as being a near-definitive adaptation of the story.

Shandong talent Liu Yong (played by Li Baotian) is knowledgeable, as he was born to be hunchback, so he is called Liu Luoguo. This year, it coincided with the triennial examination of the imperial court, Liu Luoguo went to Beijing to catch up with the exam, and near the capital, he played a game of chess with a young son. Liu Luoguo's wisdom and appearance left a deep impression on the other party, this beautiful son turned out to be the current emperor Qianlong (played by Zhang Guoli).

"Happiness Trio" is an intimate relationship observational reality show launched by Tencent Video. The program focuses on celebrity couples at different stages of marriage, using a no-task, no-intervention filming approach to document their everyday lives in a private space, showcasing the authentic interactions and lived-in warmth of marital relationships.

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Set in mid 1940's China, Aroma In Autumn is the story of Tung, a rich pottery merchant who ends up making a living on the streets. He befriends a fellow street dweller and his sister, not knowing that this is only the beginning of a life full of bitter bet...

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Tells the story of three brothers, Yu Da Hai, the elder brother who was laid off from his job, Yu Da Yong, the second brother who is a businessman and Yu Da Jiang, the third brother who suffers from leukemia and is matched with bone marrow. All three of them try to find their fourth brother, Yu Da Shui, who has been separated since many years. It tells the story of how the four brothers reunite and get along with each other.

After offending her boss, young interior designer Jiang Tian is sent back to her hometown, where she’s forced to start over after a breakup and stalled career plans. Teaming up with 60-year-old newcomer Wu Jingfang, the unlikely pair support each other through setbacks. Together, they form a partnership that helps them both find purpose and a fresh start.

At the turn of the 20th century in old Beijing, three young men—Fuhai, Liu Fangzi, and Zhao Er—train in the traditional funeral trade at Dacheng Workshop. Though not related by blood, they are as close as brothers, weathering hardship together. But as time passes, their paths diverge. Fuhai is the eldest and most upright of the three, Liu Fangzi is slick and opportunistic, thriving in the chaos of the times by chasing power and wealth. Zhao Er, the youngest, is lazy and self-indulgent, always dreaming of getting rich without working for it. As the tides of history shift and the city falls under new powers, Fuhai is forced to abandon his trade and join Zhao Er as a patrolman. He later finds some solace in marrying the kind-hearted Miss Rui (Deng Jie). But in such a turbulent era, is there truly any refuge for a decent, honest man? Based on the novella by renowned author Lao She.

The story took place during the Qianlong period (decorated by Zhang Tielin) in the Qing Dynasty.

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The story is based on the popular novel developed from folk legend. It goes that the Manchurian emperor Qianlong of China (circa 18th Century) was actually the son of a Han Chinese, the subject ethnicity. His brother of blood, Chen Jialuo just happened to be the chief of the Red Flower Society, an anti-Manchu secret society. Chen, a learned scholar, thought he could get his brother turn his back on the Manchu and restore the Han Chinese reign. But the story was ended by brutal clearence of the society members. It reflects one of the dark pages in Chinese culture, that ethics and humanity always become impotent when countered with power.