
Vladimir-Georg Karasjov-Orgusaar
Directing
Biography
Vladimir-Georg Karasjov-Orgusaar (born Vladimir-Georg-Julian Orgusaar, from 1953 to 1976 Vladimir Karasjov; December 14, 1931 – January 27, 2015) was an Estonian film director. Georg Karasjov-Orgusaar was born in Tallinn. He studied history and literature at the Tomsk University and cinematography at the Moscow All-Union State Institute of Cinematography. In the Estonian SSR, he produced a number of documentary films. His trilogy on Soviet history consists of films "Precursor" (Estonian: "Eelkäija", 1967) on Viktor Kingissepp, "Solstice" ("Pööripäev", 1968) on June 1940 'revolution' in Estonia, a central myth of Soviet mythology in Estonia, and "Commander" ("Väejuht", 1968) on August Kork, an Estonian Bolshevik military leader and victim of 1937 Stalinist purges. The trilogy covers those moments of Soviet history in an ostensibly pro-Soviet manner, but leaves possibilities for other interpretations (e.g. parallels with 1968 events in Czechoslovakia; juxtaposing August Kork and Joseph Stalin; the tragedy of Estonian revolutionaries etc.). Other documentaries by Vladimir-Georg Karasjov-Orgusaar include "Forge" ("Sepikoda", 1974; in collaboration with Uno Maasikas), "New Era" ("Uus aeg", 1969) and "Hard Times" ("Rasked aastad", 1973). His only feature film, "The Outlaws" ("Lindpriid"; based on Jaan Anvelt's unfinished novel) is sometimes considered as Karasjov's masterpiece. The 4 hour film shows members of the Estonian Bolshevik underground acting in 1920s and feature innovative techniques. Communist authorities disapproved of the work and ordered the film tapes to be destroyed. However, copies did survive, and the film was first shown in 1989. Georg Karasjov-Orgusaar himself had emigrated to France after he was banned from making movies in the USSR. In emigration, he worked as a publicist and film critic. In 1990, Karassev-Orgusaar was elected to Estonian Congress. He was the founder of Association France–Estonie—Pont de la Démocratie and its co-president.
Known For

Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?
Outlaws

Portrait of a rebel expat Estonian filmmaker Vladimir Karasjov-Orgusaar.