Kaona Sylejmani

Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.

Bekim and Anita are getting married, but Anita is unaware that Bekim is still in love with his best friend Nol. The Marriage charts the emotional predicament of the man who has strong feelings for two persons. There is great pressure to marry and only mild support for LGBTQ rights in Kosovan society, so Zeqiri’s film, which unashamedly puts same-sex and heterosexual passion on the same plane, is a forceful step in the right direction, as well as a dynamic portrait of romance and deception in the shadow of war.

Prishtina, Kosova, late 1990s. As war looms and ethnic tensions escalate, 13-year-old Dua struggles to find her place among her peers and within her changing body. After an incident shakes her community, she becomes a target herself and bonds with a fearless girl, Maki, who draws her toward an unexpected form of resistance. Between the daily violence and the growing threat of exile, there is little room for quiet awakenings.

The driver of two human traffickers ends up unknowingly helping his clients drive his kidnapped daughter outside the country.