Fernanda Marques

The story of a mother and daughter with opposing views on the path to success in life takes the audience on a contemporary journey about character, ethics and honesty.

Two families, two terrible injustices, and one common plan for revenge. A daughter who loses her mother is wrongly imprisoned and murdered in prison. A mother who loses her daughter is the victim of medical malpractice. Both join forces to take revenge on those who destroyed their families.

A hardworking physical therapist, Adriana is facing multiple challenges at once. After being fired from the clinic where she works, her house is hit by a flood that ends up killing her husband, Carlos. Now homeless and struggling to support her family, Adriana starts working for the Brandãos, a traditional wealthy family from São Paulo, as the caregiver for Artur, the grumpy patriarch. The millionaire jeweler, known for driving away every employee, gradually forms a genuine bond with Adriana, who must also deal with the distrust of the rest of the family.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

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Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.

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See what Suzane von Richthofen, Daniel Cravinhos and Cristian Cravinhos did in the days following the brutal crime that led to the Richthofen couple's death. This film reveals crucial moments of the police investigation, testimonies and the confession of the crime.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Every Shadow Seems Alive

Apnea presents a week in the life of Chris and her friends. Chris does not want to sleep. Afraid of her sleep apnea and her own unconsciousness, Chris stays up several nights in search of some sort of sense to her life that she did not see during the day, always living on the edge of her own body, and of existence itself, and dragging everything around with her.

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By Those Hands that Lead Me tells the tale of Amora’s (Fernanda Marques) life: An orphan girl, who dreams of being a photographer. At 22, while working in a library with her friend Fran (Bruno Suzano), she goes through the challenges of becoming an independent woman, having to deal with the pain of losing her parents. The feature film debut of Brazilian actor/director João Côrtes, By Those Hands that Lead Me is a nuanced coming-of-age film about love, empowerment and overcoming your fears.

João, in the presence of a compelling waiter, re-signifies a problematic love from the past.