Theo Alexander

Thanks to a Japanese scientist's invention of synthetic blood, vampires have progressed overnight from legendary monsters to fellow citizens. And while humans have been safely removed from the menu, many remain apprehensive about these creatures "coming out of the coffin." Religious leaders, government officials, and vampire fundamentalists around the world have chosen their sides. But in the small Louisiana town of Bon Temps, the jury is still out.

When Buy More computer geek Chuck Bartowski unwittingly downloads a database of government information and deadly fighting skills into his head, he becomes the CIA's most vital secret. This sets Chuck on a path to become a full-fledged spy.

A pie-maker, with the power to bring dead people back to life, solves murder mysteries with his alive-again childhood sweetheart, a cynical private investigator, and a lovesick waitress.

Against the backdrop of Corfu, young Lena must confront the tragic death of her sister. In her effort to uncover the truth, she will have to face her own family and the memories that come back to haunt her.

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THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

A self-centered, middle-aged pitchman for a potato chip company loses his job and his livelihood just as his octogenarian grandfather is dropped on his doorstep unexpectedly by his mother on her way to a singles cruise.

When Jonny visits his father Nikitas in his cabin in the woods after 20 years, the hermit ignores him. But to prevent the muddy ground from being pulled out from under their feet for reasons of profit, father and son must dig deep into it...

A smart and original, quirky comedy about a female scientist who wants proof that her boyfriend is "the one."

In a monastery set on the top of sandstone pillars young monk Theodoros and nun Urania find themselves physically drawn to one and other after devoting their lives to the strict rituals and practises of the monasteries. Below them the eternal cycle of farm-life provides a strong contrast to their lives and they are forced to choose between human desire and spiritual devotion