Camera
Two friends begin a lesbian relationship.
"Mudanza" (Removal) came to be made after the curator Hans Ulrich Obrist was asked for involvement in a project in the Huerta de San Vicente, the home and museum of the GarcĂa-Lorca family in Granada. The film records the removal of furniture and objects from the building, leaving visitors able to move freely amongst its empty spaces and a silence charged with feeling and resonance and the take from the experience whatever they demand from it - thus making poet Federico GarcĂa Lorca's emotive and historic absence even more powerful, evident and heartfelt.
"Ferida arrel MMM" is a collective film around the figure of the Catalan poet Maria Mercè Marçal composed by filmmakers of different generations who deep into her life and work with the intention of reflect the construction of female identity. But isn't just a simple tribute to Mercè, is also a mirror in which the directors experience their own reflection from Marçal views and proposals. A poet, translator, teacher, feminist, intellectual, mother... crossed in the mirror for multiple (re) construct a genealogy of women in pictures. A mirror identified as a woman and artist who talks about motherhood, language, female body, memory, popular tradition, nature, art, lesbian love, disease, death.
Victor and Gloria entry workers form a relatively stable marriage. But one day Victor loses a leg due to an accident, granting him permanent disability. Consequently, his life changes and, among other things, the relationship with his wife deteriorates progressively.
Portabella is putting forward the second part of one of his historic works, the “General report on certain matters of interest for a public screening”, which peeked out in 1976 at the start of the political transition process after Franco’s death. This second “Report” is made in the context of a severe systemic crisis in the cultural, economic-financial, political and energy fields. Above all, it nevertheless bears witness to the way civil society is coming out of this crisis with a new prominence, consisting quite simply in ordinary people’s recovering politics.
A group of short films offering a surrealist sight of the neckband of Gracia in Barcelona.
