Igor Grubić

Striking black-and-white animation traces the expansion of creatures from land, sea, and air. A film premiering at Klik Animated Film Festival.

Neda moves from Croatia to New York and struggles to find a new home despite being far away from her estranged father, the only family she's ever known. Things seemingly change when she discovers Electronic Witches, a fictional queer internet bad whose music begins to create solace for her loneleyness. Her enjoyment quickly turns into obsession which seemingly transports them band from the wavelengths of the Internet into our world.

The water reached up to our necks, and very soon, over our heads. The mountains became islands and the islands became hills in the darkness of the deep. The palms became sea anemones and the sea anemones remained what they were. The Wall Street was still full of sharks. Venice floated a while longer, and then… If a global catastrophe is a state of mind, then music is the raft.

A grandiose transoceanic cruise liner sails the seas.

Presented in the form of a series of fictional letters sent from Nina Kurtela to Aki Kaurismäki read against a backdrop of atmospheric exterior shots, Dear Aki is an experimental visual-narrative essay on the nature of identity, nationality and belonging in the globalized world.

Horizon is an intimate story about the sea in the midst of an ecological crisis. In the collective imagination, the open sea and its isolated islands have always been a place of longing, contemplation, escape, even salvation. But, can these places still provide an escape in a time of global warming and pollution? This film essay, shot on the remotest and most isolated island in the Adriatic, observes the primordial seascape and the layered environmental changes that surround it.

Through an opening between reality and subtle forms of poetry, surreal scenes and disturbing paradoxes reveal infinite loops of existence. An attempt to capture the schizophrenic beauty of human existence, in which rationality is merely a subjective anomaly at the edges of consciousness. A film that rather than giving answers is inspired by questions.

Animals from Eastern Europe for the Italian food/meat industry used to be transported to the towns along the state border in Northeast Italy. From those conveyor-belt spaces of death, only one animal managed to come in and out alive.

In a world without water, four creatures venture out on a search for the source of all life.

A father takes his son to an abandoned factory where he once worked. The building has long been reduced to a crumbling symbol of the new system. Nonetheless, the space will briefly be brought to life by recorded scenes of workers solidarity, inspiring a small gesture of defiance. That symbolic act will turn into a moment of catharsis and re-establish the relationship between the father and son.

During the 90's, Croatia suffered systematic destruction of its anti-fascist monuments. By combining the images of these impressive works of abstract sculpture with the potent nature surrounding them, Monument creates powerful visual metaphors.

In the “White Horse” café, waitress and guests apathetically go through their routines. Meanwhile, the reality surrounding them seems to destabilise more and more: between white noise and the sound of tuning forks, between daydreams of galloping knights and ever-growing mountains of drizzling packet sugar. Ivana Bošniak Volda and Thomas Johnson Volda pile up layers of these images and sounds, until they crack – and clear the way to breathe.

Documentary about homophobia and facism in Serbia. A two screen film.