Production
Rikke Brewer and Aiden Knox struggle with the death of their best friend Nye Newman, and subsequent mental health issues, in very different ways, that threaten to tear them apart. In pursuit of 15million clicks of fame and money, and a career as a youtuber, outgoing Rikke seeks the dangerous thrill of UrbEx stunts as a way to numb his loss and pain. Aiden, more introverted, seeks solace in Parkour, while working menial jobs to pay for his increasing reliance on alcohol. As they process Nye's tragic death, deeper scars from difficult childhoods emerge. Exclusive rights to 10 years of their self-shot archive reveal a rich story of their formative years. As we watch the stunts with sweaty palms and open mouths, we ultimately engage with the warmth and humanity of these two extraordinary young men.
Earth to earth, water to water. The body weight of a newborn child is up to 85 percent water, but in adulthood, the ratio can be cut into half. In a way, people dry up as they grow older. In Claudia Tosi’s documentary, people drink water, watch the rain and wait for their death. The Perfect Circle depicts a man and a woman, Ivano and Meris, who spend their final days at a hospice in the hills of Reggio Emilia, Northern Italy. Their illnesses are in the terminal stage and they know that death is only a matter of time. But the ever-nearing end may fleetingly be forgotten, like when they close their eyes and get lost in the music – until the bodies being carried out next door once again remind them of the inevitable. Death also becomes a part of life for the patients’ loved ones, who want to spend the last available moments with the soon to be departed.
Sylvia Stevens' 1995 documentary introduced viewers to the Mejía family of Fresno, California, whose parents emigrated from Mexico's beautiful but impoverished southern province of Oaxaca to make a living in the U.S. Despite the family's thriving landscaping business and thoroughly assimilated children, the ties to the family's ancestral home are strong, maintained each year with a family trip back for their home village of Jaltepec's fiesta in honor of Saint Mary Magdalene.
The Year of the Beaver focuses on the industrial dispute at the Grunwicks photographic processing plant in Willesden, London in the summer of 1977. The workforce, predominately consisting of British Asian women, most of whom had only recently arrived in the UK, decided to go on strike over the issue of trade union recognition. The strike lasted for two years.
A plan to avoid job losses at a factory in 1976 becomes the starting point for an incisive account of our current and future economic situation.
The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.
