Stefania Blandeburgo

Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

It's 1987, the final act of the Maxi Trial in Palermo, the largest criminal trial in Italian history. On this occasion, eight jurors, four women and four men, are locked in a deliberation chamber for thirty-six days. Their task is to determine the convictions or acquittals of 470 defendants accused of mafia crimes.

During a sun-soaked Sicilian summer, aimless filmmaking undergrad and back-seat radical Tanino has a fling with Sally, a dreamy American tourist from an upper background. When summer ends, Sally flies back home, without ever reaching out. Clueless, a smitten Tanino decides to pay her a surprise visit under the pretense of returning a camera she left behind. But when he gets there, he quickly realizes the reality of America—and his relationship with Sally's—is far from the idealized version his small-town boy imagination conjured.

Valentino and Salvo, unemployed and in search of fortune and recommendation, leave Palermo for Valentino’s home town, Monteforte, where they will try to survive the Italian crisis by opening some sort of hospice.

A middle-aged man dissatisfied with the present state of things finds himself in a parallel universe where all technology is stuck in the 1990s.

Arturo is a lonely, gluttonous, and disillusioned Sicilian real estate agent. His mundane life finally finds its spark through his one true passion: Sicilian pastries. It’s over a tray of cannoli that he meets his soulmate, Flora. She is everything he ever dreamed of—beautiful, witty, and brilliant. To top it off, she’s a pastry chef. However, a divine obstacle stands between them: God. While Flora is a devout, fervent Catholic, Arturo abandoned his faith as a child. Desperate not to lose the woman of his dreams, he decides to "fake it 'til he makes it," pretending to be a man of deep conviction. Guiding Arturo on this chaotic journey toward truth, faith, and Flora’s heart is an unlikely mentor and friend: Pope Francis himself.

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Set against the backdrop of 20th-century Sicily, the sicilian storyteller chronicles the tumultuous life of Rosa Balistreri, a legendary figure in Sicilian folk music.

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Lucia and Paolo are two 30-something actors who have been together for many years. Their relationship, much like their careers, has been a rollercoaster of ups and downs—lately, more downs than ups. To reignite both their love life and their shot at fame, they decide to participate in a reality show where they must each recount their love story separately. They make a pact: they will tell the truth, the whole truth, and nothing but the truth. But is their version of the truth the same? Will this experience bring them closer together or tear them apart for good?

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New film by Luca Barbareschi.

The story of Romeo and Juliet is exactly the opposite: two families, the Casisa and the Vitrano, who adore each other, and their two children, Anna and Claudio, students away from home and longtime lovers, who hate each other and want nothing to do with each other. When they return home, the two find an idyllic situation: the friendship between their families is so strong that they've even joined forces in business. The Casisa, ricotta producers, and the Vitrano, producers of cannoli shells, will sell "the lovers' cannoli," for which Claudio and Anna will be the unwitting ambassadors. It's so difficult to tarnish that picture that the two not only lack the courage to admit they've broken up, but, gripped by an increasingly childish fear, they complicate matters by telling outright lies: not only do they announce their wedding, but also the imminent birth of a child. From here, a hilarious game of misunderstandings begins, which will lead them to commit the wrong elopement.

In Palermo, in July '92, a bomb in Via d'Amelio kills Paolo Borsellino and five others, just 57 days after Falcone's death. The mafia massacre begins a judicial process that reveals the weaknesses of the State.

Scianel is a young girl from the ZEN (a public housing project neighborhood) in the city of Palermo an area on the outskirts of Palermo, who is not able to give a name or a form to her diversity. She knows she's "weird" but hasn't understood to what extent yet. When, during a workshop, she discovers her talent for painting, her world changes: what she draws comes to life, it develops a soul. Even if for her this gift becomes a surprise and then a comfort, for her grandfather, instead, it becomes a possibility to make money. Gathering the most bizarre demands from the people of the neighborhood he makes his granddaughter draw what these people think they desire, not realising what they really need.

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