Rudolf Müller

Little Daniel is a huge fan of cycling. He constantly drives around on his three-wheeler, knowing that he wants to become a famous racing cyclist – just as fast and famous as the world champion Täve Schur. But until then he has to struggle with the difficulties of growing up. His mother, for example, wants him to drink milk – even though Daniel does not find this very suitable for world champions. To get affirmation, Daniel starts searching for his role model Täve. On the way, he has some interesting encounters and experiences many adventures. When he finally meets Täve at a race, Daniel is astonished to watch him pleasurably drink a bottle of milk after an outstanding victory.

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Tetzlaff's documentary combines historic film footage and photographs with quotes from Kollwitz's diary and images of her sculptures and graphic works, including The Weavers' Revolt (1893-97), The Peasant War (1902-08), Woman with the Dead Child (1903) and War (1922-23), her famous series of seven woodcuts.

Using contemporary artistic representations in words and pictures, the documentary intends to create an overall view of the historical significance of the 450th anniversary of the Reformation in the historical image of the GDR. In terms of content, the film is limited to the city of Wittenberg as the historical center of the Reformation events. This period is seen as the beginning of the early bourgeois revolution, as Luther also made a certain contribution to the replacement of feudalism by the rising bourgeoisie by initiating the reformatory efforts. Lucas Cranach the Younger's panel painting "The Reformers in the Lord's Vineyard" runs like a common thread through the documentary and thus vividly conveys to the viewer the social upheavals of the 16th century between the Reformation and the German Peasants' War.

70 days after the government decision to build the Schwarze Pumpe combine, the foundation stone is laid. Trick explains the project and its individual construction stages.