Sedat Pakay

Walker Evans/America profiles the great American photographer Walker Evans (1903-1975), whose style influenced a entire generation of photographers. He is best known for his collaboration with writer James Agee on the book "Let Us Now Praise Famous Men", which illustrated the plight of tenant farmers during the Great Depression. A pioneer of the documentary style of photography, Evans was the first photographer to have a one-man retrospective at The Museum of Modern Art. His photographs, from southern sharecroppers to New York subway riders, are point-of-view images that reflect his distinctive vision of America. Walker Evans/America contains rare interviews with Evans himself, recorded by filmmaker Sedat Pakay while a student at Yale University in the late 1960s.

Showcasing three short films by American writer James Baldwin, wherein he muses about race, sexuality and civil rights, among other topics, in Istanbul, Paris and Great Britain.

In Istanbul, American writer James Baldwin muses about race, the American fascination with sexuality, insights into his interrupted writing decade in the country, the generosity of the Turks, and how being in another country, in another place, forces one to re-examine well-established attitudes about modern society.

Sedat Pakay's documentary film is the first and only time that the work and lives of Josef and Anni Albers have been viewed in tandem. Pakay worked closely with the staff of The Josef and Anni Albers Foundation and its Executive Director, Nicholas Fox Weber, who was a close friend of both the Alberses, and conducted a number of unprecedented interviews with people significant in both of the Alberses' lives. The film includes rare footage of the art of both Josef and Anni and insightful commentary from personal friends of the artists, including architect Philip Johnson, who arranged for them to come to the U.S. as refugees from Nazi Germany in 1933.

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