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Daniel Ducovny

Camera

Known For

The X-Files
8.4

The exploits of FBI Special Agents Fox Mulder and Dana Scully who investigate X-Files: marginalized, unsolved cases involving paranormal phenomena. Mulder believes in the existence of aliens and the paranormal while Scully, a skeptic, is assigned to make scientific analyses of Mulder's discoveries that debunk Mulder's work and thus return him to mainstream cases.

The X-Files

1993
Californication
7.6

A self-loathing, alcoholic writer attempts to repair his damaged relationships with his daughter and her mother while combating sex addiction, a budding drug problem, and the seeming inability to avoid making bad decisions.

Californication

2007
Red Shoe Diaries
5.9

Jake takes out an ad in the newspaper after the suicide of his unfaithful fiancée, in an effort to understand the reasons for the betrayal. By soliciting the secret diaries of other women, he hopes to find some reconciliation with the truth.

Red Shoe Diaries

1992
Jumpin' Jack Flash
6.1

Terry works for a bank, and uses computers to communicate with clients all over the world. One day, she gets a strange coded message from an unknown source. After decoding the message, Terry becomes embroiled in an espionage ring. People are killed, and Terry is chased. Throughout, she remains in contact with this mysterious person, who needs Terry's help save his life.

Jumpin' Jack Flash

1986
Fist of Fear, Touch of Death
4.4

A television reporter interviews fighters and promoters about Bruce Lee in preparation for a tournament to claim the title of “Successor to the Bruce Lee legacy”. Footage from Bruce Lee's films and interviews is repurposed in pseudo-documentary style.

Fist of Fear, Touch of Death

1980
Tough Guys Don't Dance
4.7

Tim Madden awakens one morning to discover a fresh tattoo on his arm, his car covered in blood, his girlfriend in bed with the town sheriff, and a woman's severed head in his weed stash. Sensing a setup and in desperate need to clear his name, he begins an investigation that soon begins to expose a web of corruption in the small coastal community of Provincetown.

Tough Guys Don't Dance

1987
We Are the Guinea Pigs
6.0

Farmers and parents of young children, who live in the Harrisburg, Pa., area, discuss their fears of radioactive contamination from the Three Mile Island nuclear reactor accident in 1979. Scientists and physicians also expound on the lethal dangers of nuclear power and the risks in containment processes.

We Are the Guinea Pigs

1980
No image
1.0

A beautiful cowgirl (Sammi Davis) fights off the advances of a handsome stranger (Maximo Morrone), until she realizes he's not trying to tame her. He knows she's as spirited as a wild mustang, and he just wants to set her free. A temperamental director (Brad Fisher) and a powerful producer (Marina Giulia Cavalli) revisit a familiar scenario of love. Three years ago they almost destroyed each other with passion. Now, after one incredible night, it seems like nothing's changed. From A to Z, the alphabet girl (Christiana Capetillo), a beautiful fashion model finds there's twenty-six ways to love in this Red Shoe Diaries collection from master sensualist Zalman King.

Red Shoe Diaries Movie 10: Some Things Never Change

1996
The Weavers: Wasn't That a Time
7.8

Documentary about the blacklisted folk group The Weavers, and the events leading up to their triumphant return to Carnegie Hall.

The Weavers: Wasn't That a Time

1982
Johnny Goes Home
8.0

Johnny Carson makes a nostalgic visit back to his hometown of Norfolk, Nebraska in the fall of 1981, revisiting the places of his youth and talking with some of the people he grew up with.

Johnny Goes Home

1982
Lillian Gish
6.5

New York, summer 1983. Jeanne Moreau goes to meet Lillian Gish to film a portrait of her. The star of American silent films invites her to her apartment and discusses her career from its beginnings on film in 1912. She remembers the conditions on stage when she was a child, the first Hollywood blockbuster, D. W. Griffith's Birth of a Nation (1915), and her passion for cinema guided by an inexhaustible curiosity.

Lillian Gish

1984