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Eurolaul was an annual televised competition to select a song to represent Estonia in the Eurovision Song Contest made by the Estonian Public Television Service ETV. For many years the competition differed from the national selections of most other countries in that the outcome was solely determined by an international jury. The rules were changed to entrust the Estonian public with the choice by means of televoting in 2004 and 2005, but due to the disappointing results in the ESC in those years there was a return to the former system in 2006. Eurolaul also selected Tanel Padar and Dave Benton's song "Everybody" in 2001, which went on to win the contest for Estonia. In 2009, Eurolaul was discontinued after a long period of bad results for Estonia in the Eurovision Song Contest and was replaced with a new contest entitled Eesti Laul.
Eurosong was the Flemish selection for the Eurovision Song Contest. It selected the Belgian entry to the Contest every second year. The last Eurosong was in 2008. Due the good result of Tom Dice in 2010, who was chosen internally, the VRT decided to cancel Eurosong.
In this Flemish “game show,” a local celebrity issues a series of five themed challenges to a particular town or city, usually tasks which required a great deal of manpower and creativity. The inhabitants of the competing town or city have roughly six days to complete these task, ending in an event on Saturday afternoon where their efforts were judged, and symbolic "gold stars" were awarded for each task successfully completed.
Each episode takes the form of a broadcast made by a fictional pirate television station from a fictional small-minded village in East-Flanders, manned by a small number of VJs who introduce various sketches disguised as news or human interest reports. The style of both the program and its official website is deliberately amateurish. Most episodes involve a framing story which intertwines with certain sketches. Many characters are recurring and feature several catchphrases. The series sometimes includes sketches about current news, such as a baby found at a railway station, but also reacted to some negative critique, not taking itself too seriously.
On the streets of Antwerp, Badia, Junes and Volt are trying to tear themselves away from their past, but the underworld is inexorably pulling them back in. Adamo has worked his way up to become one of the most influential figures in the Antwerp drug trade. He becomes ever more entangled in a web of power and danger. His friends have to make a choice: stay loyal to Adamo or choose safety.
