Charlotte Dubreuil

Successful writer/director Bernard Rougerie is at a creative dead end and decides to isolate himself from his wife in order to complete the script for his next film. Bernard moves into an apartment building whose tenants are in the midst of a revolt against their abusive landlord. Reluctant at first, he joins their cause and then becomes involved in an affair with young, unemployed resident Anne.

Jeanne has been divorced for seven years now and her life is centered around Sarah, her fifteen year-old daughter. They appear to have a perfectly harmonious life together, a relationship based on deep mutual understanding and trust. So when Sarah needs a contraceptive, it's her mother who goes alone to the drugstore with her. However, under this idyllic surface there are tensions at work. Jeanne's on and off affair with Pierre does not save her from feeling lonely, and Sarah is bored by school. Both of them dream of an independent life, though neither will admit it.

Benoît, a young provincial, arrives in the capital. He has left his family (mother, wife and child) in his native Charente. But for him, the difference in the standard of living is trying, and he loses his bearings among this crowd of anonymous people. A young woman, Myriam, crosses his path. But the encounter is short-lived, and Benoît returns home. A tragedy has occurred.

A manufacturer of furniture sees his business go down and decides to rob banks to pay his staff. Het gets romantically involved with one of his victims.

Arrived in New York, Margaux went to the bedside of her daughter Jess, who tried to commit suicide. She lives with Vic, who no longer satisfies her sexually. His ex, his father and his best friend, reappear soon in the life of Jess.

Eight years after May '68, they are all in their forties and all met to live in a small village in Provence: Julie, Simon, Alice, Maria, Gustave, Claude and Claudine.

At fifty, Helle and Louis thought they were done with the couple when they met. When this great love suddenly comes to threaten everything. They are afraid of this new happiness, that of being together.