Acting
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Matthew Eberhardt brings 1950s suburbia to life in Leonard Bernstein’s colourful criticism of American consumerism. This performance stars Wallis Giunta, winner of the Young Singer Award at the 2018 International Opera Awards, in the role of Dinah.
Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.
Meet Anna and Anna: one person, two personalities. Sent away for seven years to make money for their struggling family, they journey between seven cities from Philadelphia to San Francisco, and encounter Sloth, Pride, Wrath, Gluttony, Lust, Greed and Envy on the way. As they do, they dance, sing, argue and withstand the sardonic commentary of their family. Written and premiered in Paris in 1933, The Seven Deadly Sins was to be the final collaboration between the composer Kurt Weill and the playwright Bertolt Brecht. They had scored a huge hit together with The Threepenny Opera in 1928, but their relationship soured as they worked towards the premiere of the Rise and Fall of the City of Mahagonny in 1930.
