Catherine ten Bruggencate

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

Baantjer is a Dutch television programme which was broadcast by RTL 4 from 6 October 1995 until 1 December 2006 for a total of 123 episodes in 12 seasons. It stars Piet Römer as Jurriaan 'Jurre' de Cock, a police detective, and Victor Reinier as Dick Vledder, his helper. The series is based on the novels of writer A. C. Baantjer. In 1999, RTL 4 broadcast the television film Baantjer, de film: De Cock en de wraak zonder einde because of the tenth anniversary of the network.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

A group of five top medicine students is admitted to a prestigious program. They'll be working for a renowned professor who turns out to have a secret agenda. The students soon discover a extremely dangerous experiment called Project Orpheus

Follow the Dutch royal family in the 19th century.

In February 1976, it becomes known that a high-ranking Dutch government official has accepted bribes from aircraft manufacturer Lockheed. It soon becomes clear that this refers to Prince Bernhard. The country is in turmoil when it turns out that Prince Bernhard has indeed accepted bribes. Juliana threatens to resign. The monarchy is shaken. When senior military officials intervene in the matter out of solidarity with the Prince and the people also demand transparency, Den Uyl can no longer postpone his decision. Will he choose to preserve the monarchy or not? A political thriller and a royal drama.

When the Germans invade the Netherlands in 1940, Leiden student Erik Hazelhoff Roelfzema and his friends have a carefree student life. The boys, then around 23 years old, realize out of the blue that nothing is the same anymore. Friendship and love are no longer self-evident. The war turns everything upside down, all relationships are on edge. Everyone has to make their own choices…: Are you going to fight for Freedom, People, Fatherland? Do you bury your head in the sand and continue studying? Or do you deliberately choose the enemy?

Following 'Leedvermaak' (Schadenfreude) from 1989 and 'Qui vive' from 2001, the trilogy is now complete with 'Happy end'. Frans Weisz directed, Judith Herzberg wrote. A family history in which three generations of a Jewish family each struggle in their own way...

Rising, rather autobiographical novelist Giph has a hot girlfriend, doctor and model Samarinde. His crude, domineering and progressive mother Ria's suffering an incurable decease in which she suffers from paraplegia. Her inevitably ensuing death is brought forward with euthanasia. Giph is struggling to handle the situation with his mother. Shortly after his mother has passed he away, he decides to join his fun loving friends on La Palma for a holiday. There Samarinde tells her boyfriend she's expecting his baby

Frans van de Staak, Holland's most prominent avant-garde director, made this film "...about people who want to get something done. I leave out the why as well as the results. What's left is the moment of endeavour. There are two couples. The four characters are played by eight actors. There is little dialogue. Sometimes a couple does not seem to live together, just to be alive together in the same room. Each one of them at one time walks through an anymous part of Amsterdam. They put their feet down with a will, clicking their way through town. We do not know where or why they are going. To a meeting, to get some exercise, nowhere? They have difficulty in communicating. They leave notes to each other on the table rather than talk. The film sometimes mocks their intensity. It is surprising that such a strange film can keep the viewer's attention for an hour and a quarter. But it certainly does. (Dutch Fim 1988-89)

Nico and Leo are getting married. Their entire family and both their exes are in attendance. Some of these are performing musical numbers on stage. But memories of the war and the fact that Leo's mother died in a concentration camp keeps coming to the forefront.

Six people are about to undertake a journey by foot from the very north of the Netherlands to the very south, in search of the mountains. Only two of them reach the destination.

The characters from Leedvermaak have fared twelve years later. Lea's first husband, Alexander, makes a sequel to the wedding film and shows us the familiar characters and how they have fared. Dory, Nico's first wife, is pregnant. The father of the child is Simon, Lea's father. Nico has fallen into crisis and decides to resign as hospital director. He retreats to the farm where he hid during the war. Hans, Nico's best friend, is married to Pien. After fathering seven children, he flees this marriage. Nico's father, Zwart, increasingly isolates himself from the world; he reads and rereads the camp letters from his first wife.

A portrait of a woman and 26 witnesses who appear to be accusing her of something but we'll never know what. We'll never even know who she is and who the witnesses are. A complex experiment about space, voice and speech.

Feature film about the life of Aletta Jacobs (1854-1929). Aletta Jacobs knows from an early age that she wants to become a doctor. She asks Thorbecke to allow her to attend university and, after completing her studies, becomes the first female doctor in Amsterdam. Here, she focuses in particular on sexual problems in women and campaigns for universal suffrage. Director Nouchka van Brakel appears in the film as an interviewer who questions contemporaries about the life and work of Dr. Jacobs. The interviews give an impression of the flood of negative reactions that the feminist provoked. However, when Aletta looks back on her life at the end of the film, many photos and letters show how much she was ultimately appreciated.

Konraad, 83, has written a letter to his relatives saying he wants to die. Maria, Konraad's daughter and only child, refuses to discuss her fathers wish. Instead, she wants to move him to a flat for elderly people. Her two grown daughters Sabine and Eva have problems of their own. Sabine has a troubled marriage and her eldest daughter Haas is too wise for her age. Eva is in therapy, recovering from an abortion. Ernst, Marias husband, is the only one who takes an interest. He decides to help Konraad realize his last wish. In doing so, he crosses his wife and increases the already existing distance between them.

A Dutch couple is confronted with the husband's rapid onset of senility during a snowy winter in North Eastern Canada.

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No description available.

Two very different friends who share an apartment in Amsterdam have reached a dead end in their lives. The arrival of a parcel looks like an opportunity for a change.