Jérôme Ayasse

Four tales, each centered on a woman, journey inward to explore the enigmatic reality of their lives, connecting through a single narrative thread.

Victor Perez was a Jewish boxer who became world flyweight champion in 1931 and 1932, but was transported to Auschwitz concentration camp when Paris fell to the Nazi s in 1943. While there he was forced into slave labour and made to participate in violent boxing matches for the amusement of the Nazi guards. Surviving Auschwitz tells Victors astonishing, harrowing, brutal and incredibly moving true story.

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An enthralling look at the relationship between America and the Arab World from an Arab perspective. It tells the story of Yehia, a renowned Egyptian filmmaker whose life has been shaped by a pair of disrupted love affairs, one with an American woman named Ginger, the other with America itself.

Three French hipsters and their translator travel through rural Georgia to claim a remote, ruined castle that one of them has inherited. En route, they encounter an old man and his grandchild who are on a journey to carry out a mysterious, morbid ritual designed to end a conflict between warring clans.

Ali, an aspiring actor, works in a government-aided butchery and takes part in a cheap play. Defying his father's wishes, he moves to Paris to fulfill his dreams and starts living illegally alongside many other Arabs. Ali has a life-changing experience there that he won't fully remember until he returns to Egypt.

Tahar is a retired blacksmith living with his son from his first marriage. After seeing his late second wife in a dream, he decides to visit her grave, in Azemmour. In the trip, he meets Driss who is going to Essaouira, looking for his mother whom he has never known after receiving a letter about her. The two men go to Marrakech together where Driss gets a combination motorbike that Tahar calls "wind horse". And they begin their journey together, first to Azemmour, then to Essaouira, looking for their past.

Neither a fiction nor a documentary, it is a film-dance. Not a narrative, but a journey through the Villeneuve area of Grenoble. No characters, but energies, encounters. The body of a dancer in the city. An essay of re-enchantment.

In the absence of her sister Rim, what was Yasmina doing in a car park with their boyfriends Salim and Majid? Rim knows nothing about it, but that's because Yasmina is doing her utmost to prevent her from finding out. What was it, then? The unmentionable... the worst thing ever... supersize shame - and it was all captured by Salim in a potentially highly volatile video...

A Kafka dialogue is read by actors in Straub's own apartment in Paris.

Master filmmaker Jean-Marie Straub continues his exploration of classic texts with this "collaboration" with the great 16th-century writer of the Essais.

A mysterious Green Knight rides into a court celebration and challenges the young knights present to strike him with his own axe - on the condition that he, the Green Knight, may return exactly the same blow in a year and a day. Gawain accepts and cuts off his head. But the Green Knight stands up, retrieves his head, and rides away, reminding Gawain of his promise.

An investigation into why so many conservative Chileans continue to be supporters of the brutal Pinochet dictatorship of the 1970s and 1980s.

Lunettes and Myope: two ways of resisting the world. Identical and opposites, face to face or, more often, back to back, in a small room in a timeless space. Twins and adversaries, these two girls make one: Lunettes uses her glasses to help her understand the world, or at least accept it; Myope can't see, except within herself, and lost in her blurred, but sharp, experience of the world, rebels continuously. Incited by Lunettes, Myope creates (in the same city and climate, but in another dimension) two characters: Pierrot and Agathe. To a certain degree, these two are a disjointed response to Myope, Lunettes, neighbors, and distant representatives. It's very hot. The inhabitants are interested in fountains and shadows. They build cool cabins, hanging curtains over the balcony balustrades. Asphalt sticks to the soles of sandals and when the wind blows, the canopies flap above the café terraces.

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A surrealistic drama in which Japanese artist Kamimura, disillusioned by the world and himself, combats and connects with the world before him – as he moves freely among reality, memory and fantasy through the three women who are involved with him.