Richard Moore

Melbourne-based Stelarc burst into prominence in the early 1970s with confronting, and outrageous public art performances. Following his mantra that ‘the body is obsolete’ he set about testing the limits of his own body in a series of death-defying stunts. Stelarc has always fought to escape the force of gravity. A third arm, an extra ear, a cheeky prosthetic head and an ambidextrous hand all play parts in this lively biopic as Stelarc wrangles the intersection between humanity and technology.

Collection of four short films from Falcon Studios. "The Housepainter" (a.k.a. "Breakfast In Bed") — Hunky stud muscle-jock Roger as a housepainter in a 3-way. "Bigger Than Life" (a.k.a. "'Life' Session") — A young artist seduces his willing model, Roger. "Double Whammy" — Black stud Big Ben lures a clean-cut collegiate hunk back to his pad with promises of a big score. "Mr. Egan Gets His New Paperboy" (a.k.a. "Mr. Egan's Paperboy") — Jack Egan's newsboy arrives in a rainstorm soaked to the skin and Mr. Egan resolves to warm him up.