Kirill Preobrazhensky

A family of British descent settled in the Russian countryside is investigating its grandfather's mysterious death. One small step for men, women, children, dogs, and pigs - one giant leap for humanity.

An anthropological study of a cargo cult in a fictitious self-marginalized commune, which existed next to the Moscow Ring Road - a highway that marks the boundaries of the Russian capital - and survived mainly on roadside trash. Although the road provided for their basic needs, the existence of the commune was extremely precarious and highly dependent on the roadway's fluctuations. This dependency led them to develop a cargo cult of the road.

A mystical detective story set in the realm of Moscow art scene. Psychedelic trip through different places, characters and strategies in the search for the Author, covering mythology of Moscow art from the period of 1980-2010. The movie is based on the 'Inspection Medical Hermeneutics' group's text of the same name and on the historical research performed by the authors of the film. Production was an experiment in collective film making experience.

The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.

The Shining Will Come Crashing Down

International scandal: the Russian Embassy is leaving Libya. The reason was the murder of a Libyan officer by a Russian citizen. In the heroine of the reports, the girl recognizes her roommate in the student dormitory. A few years later, by chance in the Web Archive, she finds a blocked diary, which opens her neighbor from a completely unexpected side.

The interaction of viewers and films on the screen.