Gerson Guerra

When Luisa, 45, returns from a psychiatric clinic after a bout with severe postpartum depression, she enters a new confinement in her dazzling home, surrounded by family members and a brigade of servants who expect her struggles to remain invisible. Unable to continue playing the role of the perfect housewife, Luisa's only escape is to waltz elegantly into madness.

Between Marx and a Naked Woman is the adaptation of a novel written by Ecuadorian Poet, Jorge Enrique Adoum. The scenes of this film insert us into Ecuador in the sixties, when the electoral struggle, convoked by the military government for a new return to democracy, is in full force. Galvez’s left-wing party must elect its candidate, but he is shoved to one side because of the criticism of the party’s political leadership. While his struggle becomes bitter, he must withstand the frustration of not being able to offer full love to Margaramaría, another party member.

1809-1810: mientras llega el día is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring Marilú Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the Próceres occurred in the hands of the peninsular authorities.