Laura Miranda

Camila and Abril grew up together in a small town on the coast and are best friends. There's an obvious and uncomfortable attraction between them. April's family will move to the city, their paths will have to separate forever.

The mission seemed simple; stealing the talisman wouldn't be difficult. But now, Ana is running for her life, searching for an escape, looking for any possible way out.

Ulises hasn't seen his friends since they graduated from high school. But now, walking to the reunion party, he is full of hope and joy to relive his past glories and rekindle the passion he had with Paulina, the girl he was always in love with but never dared to do anything with. But that will change tonight, which will surely be unforgettable.

Virginia, an elderly writer, starts to pen her autobiography, when her character suddenly refuses to play her role in the story. She insists that she wants to tell the truth.

Do we perceive things as they truly are? Can the assumption that we do leads to dangerous positions, as racism or xenophobia? This documentary reflects on issues like migration, border walls, and the restriction of human mobility from the perspective of people whose field of study could hardly be more detached from these issues: astronomers.

Olimpia Coral Melo never set out to become a feminist icon. The humiliation of seeing her intimate video go viral made her want to abandon her own name. For thirteen years, she fought to pass a law against digital sexual violence in Mexico. Now, as the Olimpia Law gains momentum across Latin America, she must come to terms with her wounds and reclaim the name that shame once tried to take away from her.

A place that seems out of time for everyday life, a long line of women waiting. And inside a room, three of them sitting... a cello piece transports them to their own experience of pleasure, body and eroticism. An exploration from a female perspective of the audiovisual and its ability to produce pleasure beyond narrative schemes. Female pleasure, liberation, feminism, gender, appropriation of the body, sexual freedom, women, cello, music, old age.

Ricardo receives a visit from Daniel, his teenage cousin. Together they will explore the city and themselves.

After escaping a violent relationship, a woman tries to rebuild her life, until a spider exhibition opens a crack in her present. What seemed like an ordinary visit turns into an intimate journey through the memories that still haunt her.

A girl tries to masturbate.

Ana spends the entire day watching through the window. She is looking for something in the apartment across the street, perhaps a sign. Maybe, deep down, there is something Ana refuses to accept.

Cineminuto created amidst a pandemic.

Alma, a middle-aged woman, really wants to attend dance classes. However, her busy daily routine of caring for her sick mother Gladys and the lack of cooperation from her brother Rubén prevent her from doing so.

This short film is a captivating mix of emotions, genres, and tones, deliberating on love in the age of social media. Within the chaos that daily life supposes, the paths of two couples merge during an afternoon, embarking on a narrative and style hybrid that puts the need to love and the fear of commitment on the table. Memories, friendship, and disappointment converge in the drama of four millennials, forming a labyrinthine exploration of love.

Julián has a simple routine for every day: spying on Ana from the time she leaves until she returns home. Then Julián receives a call and reports all the activities.

A teenage girl on her period wants to use the menstrual cup at school but has to face the lack of clean water to do so.

In May 2014, a large group of riot police clashed with the inhabitants of San Bartolo Ameyalco, who were defending the water from their spring. This is the perspective of the children of the community, most of them nephews of Eduardo, who was arrested that day.