Óscar Vincentelli

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.

Not every day you have the chance of fulfilling a dream: making a heist film.

Coastal town of Benidorm, Spain, August 1956. Sylvia, a newly married US poet, goes for a walk.

The film portrays a night shift of the last fishing community that uses the Art of Xávega, a traditional type of fishing that has barely evolved over the centuries, disappeared on the Spanish coast and in process of extinction in Portugal. At the same time, under the huge cliff and a few meters from the sea, other bodies roam the terrain in search of occasional sexual encounters.

A festival of digestion on many scales, from planetary to microbial.

After the return to Europe of Columbus’ first expedition, two Eyerís Indian twins named Bohique and Guaba arrive in Spain using the technology of foreign ships, being the first American to set foot in Europe. The Eyerís along with the sailors are confined by Pinzón, the captain of the ship, in houses far from the village while he notifies the return of the expedition to the Catholic Monarchs. Everyone celebrates the return to land while awaiting the return of the Captain, but the twins come with a mission: to inseminate the land of the foreigners. To do so, Guaba must die and become seed and Bohique must get it and sow it. Guaba’s spirit guides Rui Gallego and his brother, the only witnesses to his death, to find the seed. The Eyerís instruct the sailors in the formation of the conucos, the Eyerí method of sowing.

In the future, Violeta and Guillermo recall a night, in 2018, when they danced until sunrise.

A group of documentary filmmakers retrace the steps of 19th century serial killer Manuel Blanco Romasanta, who blamed his crimes on lycanthropy.