Michael Treder

Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.

After the accidental death of his best friend, Jimmy comes to believe that the friend now haunts his car, but selling it takes him to a very dark place.

A performance artist prepares for an event, whether they truly want to attend is uncertain.