Netia Jones

The Marriage of Figaro is one of the most emblematic operas in the repertoire. Brahms spoke of it as a “miracle” and the Countess' complaint still resonates today as one of the most heartbreaking musical pages. It was by resuming Beaumarchais' comedy, which caused a scandal in Parisian society, that Mozart and his librettist Da Ponte began their first collaboration. The play was banned by Joseph II in 1785 at the Vienna Theater. Is it because it exposed too much to the forefront the contradictions of an already faltering regime, ready to collapse with the French Revolution? Netia Jones preserves the very essence of Beaumarchais' play by questioning human relationships with humor but not without mischief, in a production which confuses reality and fiction to the point of asking, like the Count: "Are we playing a comedy?" »

For the 2014/15 Opening Night Concert and Gala, the Los Angeles Philharmonic paid loving tribute to composer John Williams, long a champion and close friend of the LA Phil. Gustavo Dudamel, an awestruck fan of the musical icon, led the orchestra in a crosssection of Maestro Williams' matchless canon. Featuring Itzhak Perlman with a very special musical performance of pieces from Schindler's List as well as the Cadenza and variations from Fiddler on the Roof. Jazz elements will fill the air during Escapades from Catch Me if You Can, and may the force be with you during the iconic tunes from Star Wars.

With “Antigone,” the Philharmonie de Paris serves as the setting for a world premiere: an “operatorio” by Pascal Dusapin, brought to life by Christel Loetzsch in the title role, conducted by Klaus Mäkelä and directed by Netia Jones.

Netia Jones stages a unique, beautiful performance of Curlew River at St Giles, Cripplegate, with musical director William Lacey.