Ichiro Yamaguchi

A super big project commemorating the 25th anniversary of the formation of TEAM NACS and the 30th anniversary of wowow's opening. It was filmed in Hokkaido, the birthplace of TEAM NACS. Starting with "Back to the Sentai Futures", in which members dress as heroes who homage the masterpiece movie and Yo Yoshida participates as the villain "Emperor DeLorean", music is produced with the aim of becoming a national group, "NACS New Member Audition" will be held.

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Seven unemployed individuals with uniquely quirky superpowers are secretly gathered by the Ministry of Defense in a locked room to save the world, transforming their personal complexes into Earth's salvation.

Sunday night TV documentary program that heightens the spirits bringing a positive message to start the upcoming week by showcasing the routine and life of people, both famous and regular, including the bits of joy and struggle that go along into making something special. Scientifics, actors, craftsman and people in all fields share their experience.

The protagonist TAROMAN engages in surreal and nonsensical interactions while battling strange creatures. The creatures confronting him are brought to life from the work of artist Taro Okamoto, such as "Sprinting Eye" and "Sulking Child". An action-packed tokusatsu tribute to one of Japan's most influential painters and sculptors!

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Moritaka Mashiro doesn't want to follow in the path of his uncle who worked as a manga artist, but ultimately died because of exhaustion. Moritaka Mashiro figures he will graduate from school and work at an office. Things change though when falls in love with a girl at school. The girl, who hopes to become a voice actress, tells Moritaka they can marry, but only after they both achieve their dreams. Moritaka then teams up with fellow classmate Akito Takagi to publish their first manga.

This film is a compilation of the additional performance at K Arena Yokohama in Kanagawa, which was the final performance of sakanaction's nationwide tour, "SAKANAQUARIUM 2025 "KAIJU"." The song which also serves as the tour title, is the band's first new song in about three years. Immediately after its release, it dominated the top of music charts and became a huge hit. The concert will be directed by video director Yusuke Tanaka, who has worked on many of sakanaction's music videos and live performances. The stage was completely white, with the members lined up in a row, their costumes, the floor, and the back of the stage all in white. A huge LED monitor, the same size as the floor the members were standing on, was suspended above the stage, projecting a video on the theme of "Kaiju" with a single man as the protagonist, which progressed simultaneously with the live performance.

SAKANAQUARIUM ADAPT ONLINE is a live concert experience from Japanese rock band sakanaction, created specifically to showcase concepts and feelings they have had to cope with and embrace over the course of the pandemic. Past hit songs like アイデンティティ ("Identity"), 『バッハの旋律を夜に聴いたせいです。』("Bach no Senritsu o Yoru ni Kiita Sei Desu"), and 新宝島 ("Shin Takarajima") are performed, along with new songs such as 月の椀 ("Tsuki no Wan"), プラトー ("Plateau"), and ショック！("SHOCK!").

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Osaka was the the site of Expo ’70, and among the most memorable elements of the event, standing to this day, is the "Tower of the Sun", a 70-metre-tall sculpture/building envisioned and designed by renowned artist Taro Okamoto, who some call “the Japanese Picasso”. This film is a theatrical adaptation of "TAROMAN", a tokusatsu series re-envisioning Okamoto's most famous pieces as surrealist superheroes and villains, with Ultraman-like TAROMAN, based on the Tower itself, at the forefront of it all.

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SAKANAQUARIUM 2024 "turn" arena tour held by sakanaction from April 20 (Sat) to July 10 (Wed), 2024, and the tour final, the Pia Arena MM performance, has been made into a video work. The arena tour was the first tour by SAKANAQUARIUM in about two years, after a hiatus due to Ichiro Yamaguchi's (Vo/G) health problems, with a total of 15 performances in 8 cities across Japan. Each venue was filled with the audience who had been eagerly awaiting the band's return. The tour was a crossover of the band's impressive performance, a variety of songs, and elaborate stage production, and truly marked the "complete revival" of sakanaction. Yusuke Tanaka, who served as the overall director of the tour, was in charge of everything from video direction to product design for this video production. The concept of the live performance is literally projected onto the product.

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