Tatyana Vikhreva

Schoolboy Semyon Golubovsky, Vladivostok. Students Egor Chernyuk and Oleg Alexeev, Kaliningrad. Entrepreneur Viktor Barmin, Yekaterinburg. Activist Violetta Grudina, Murmansk. Minibus driver Vladimir Semenov, Astrakhan. What unites these people? All of them are activists of regional headquarters created for the campaign of Alexey Navalny, who announced his self-nomination for the post of President of the Russian Federation. And all of them are the heroes of the film "Electing Russia."

How Lyusia Stein - a graduate of VGIK and a municipal deputy of Moscow - went to work for Ksenia Sobchak's campaign headquarters.

Some weekdays in the life of literature teacher Tamara, which hold nothing surprising for her. It is the story about the narrowness of the space of life with insufficient choice.

The V-A-C art foundation is transforming the former GES-2 electric power station in Moscow into a new cultural space for the capital. In 2017, before work had even begun, a festival called Geometry of Now was held inside the station. As part of the festival, Wassily Kandinsky’s painting Dramatic and Mild was shown in Russia for the first time. In order to see the painting, visitors had to enter the workers’ recreation room, which measured just 4 x 4 metres.

The plot of the film is based on the large-scale reconstruction of the historical building of the HPP-2 power plant on Bolotnaya Embankment under the direction of architect Renzo Piano and the transformation of the power plant into a cultural institution and a cultural house of the V-A-C foundation, founded by Leonid Mikhelson. For five years, the process of fixing this reincarnation was carried out. The basis of the shooting method was the desire to show big events through the prism of the interaction of art and life of the construction site and the V-A-C foundation, through small details, through the people who are doing it all.

The Nogai people are descendants of the Golden Horde who are living in the Southern Caucasus of Russia. They experience issues of language loss, identity loss, and lately, an ecological disaster. Formerly lush and green, today the Nogai steppe is turning into a desert. In the autumn, the team led by a simple woman named Gulfira goes deep into the new desert for several months. Every day they walk for many kilometres under the icy, sandy wind and plant branches of Juzgun – a shrub with long roots that can stop the sand. Will Gulfira survive in this battle for the homeland, or will the Nogai land disappear along with its people?