Teodor Mazilu

In 1942, Nea' Vitu is in trouble with his children: a son is fascinated by the world of war profiteers, and the daughter is going around with the speculator "Treispemii" (Dan Nutu). On the evening of her engagement, Vitu is denounced by his son for hiding an illegal printing press in a painter's house. Thirty years later, he returns to the slum and searches for the Vitu family. They no longer live there, the neighbors have changed, and he investigates to find out what happened to them. Nea Vițu, you raise your daughter, Rădița, and son Fănică. His wife Dorina died when Fănică was born. Apparently, family problems are difficult barriers to overcome. He's an honest man. He gets angry at the slick Fănică. Fănică is also chased away by the slum priest, because he wanted to make a new bible... where he'd be Fănică the God .... Rădița goes around with the speculator "Treispemii". In 1942, nea Vițu joins the fight against the Nazis and runs an illegal printing house with a painter...

A man and a woman, eager for happiness and romance, encounter the desired reality, but fail to recognize it, preferring to take refuge in a space on the border between the concrete world and dreaming.

A lonely, selfish and proud doctor receives a bouquet of flowers one day that sets him on fire. An unassuming cab driver, a family man and devoted colleague, helps him to identify the sender and find himself.

How a worker family living in a worker neighborhood of between wars Bucharest come involved with the communist movement.

Mircea, an auto-mechanic engineer who has left his wife, attends his son's pioneering Sunday go-kart rallies. There he meets the father of his colleague and rival, a prosecutor. The situation becomes tense and a work accident is investigated by the prosecutor himself...