Kirill Gerra

Love comes without asking. Often not to those, not so and not then. Can a genuine feeling survive when everything started wrong and the whole world is against it? Give up everything or give up? Burn or survive?

In 1895 Nizhniy Novgorod, Russia, amid preparations for a major trade fair, the murder of a wealthy nobleman occurs. Detective Aleksey Lykov investigates, uncovering a sinister plot that endangers his life as he pursues the truth.

Olga, Katya, and Andrey have known each other since childhood. They moved to Moscow many years ago and have become successful. Olga is an actress, Katya works for a large-scale PR agency, and Andrey is a political analyst. They buy cars, take mortgages, build country houses. Just like everybody else. But their lives bring them neither happiness nor content. The feeling of "something's not right but I can't put my finger on it" underpins the lives of today's thirty-year-olds. Their childhood took place during the Soviet era, when kids dreamed of becoming heroes, believed in spy stories and a bright future. Yet nobody expected that the dream of becoming a hero would be replaced by the dream of stable and predictable existence. People have stopped dreaming of truly grand things. They just play their roles.

Newlyweds Vika and Artem managed to get married at a bad time. The "post-Crown", the crisis, everything is going down the drain, as is the future of their company. The company decides to radically change the profile, and the "family contract" is under special control of the authorities — at the end of the working day there will be only one.

Russia, early 90s. Mariya, the owner of a small video rental store in an abandoned cinema, has her son disappear under strange circumstances. To understand what happened and find her son, Mariya has to cross the path of crime boss Egor Bocharov, make friends with fugitive criminal Dmitriy Shilin, reveal the secret of the ghost living in the cinema and find out how he is connected with the mysterious film number 8.

The short film tells the story of a woman who was betrayed by the man she loved and lost her unborn child. The depressed woman arrives at a deserted beach, where she becomes a silent witness to the clarification of her life story.

Thirty-five-year-old Tanya is a successful modern resident of St. Petersburg. In the evenings, she attends acting classes, where she is assigned to prepare a monologue based on the Siege diary of a woman also named Tanya. Tanya, in the present, begins to imagine herself in the place of Tanya from the past. The two realities gradually intertwine.

Tracing the emigrations of his family over more than half a century, this riveting documentary epic from acclaimed expatriate Iraqi filmmaker Samir pays moving homage to the frustrated democratic dreams of a people successively plagued by the horrors of dictatorship, war and foreign occupation of Iraq.

Moscow. Tomorrow Fedya is going to world trip with his girlfriend. But today he must meet with his ex, find molly, visit the farewell party and tell his friends that he stays here. Is it easy? Is it impossible? It doesn’t matter. Here comes the wave. Here comes tomorrow.

The film speaks about universal themes of love, hate and search for love. The portrait of three women represents these three states. Tanya Neubivko has never been in love but optimistically is searing for it. Her unfortunate and even dangerous encounters with strangers on dates almost got her killed. Rita is happily engaged and planning a wedding after a routine medical check-up. Nadya is a very unhappy doctor who hates her husband and finds relief in alcohol. The story takes place in a surreal hospital with the leaking roof and hollow walls and constantly smoking doctors, where Rita is destined to die.

Artyom is 15 years old. This is the same age when you are not an adult, but also not small. It was in this, the last summer of childhood, that everything fell on Artyom at once: the betrayal of his father, who remained abroad after the tour, first love, friendship forever and quarrel forever. Artyom has only a skateboard - this is how in the 80s in the USSR they called skate, which Soviet teenagers had just begun to learn about. Now Artyom needs only one thing: by all means to win in street competitions.

In a remote Azerbaijani village, things take a turn for the worse on the wedding night when the firing of a gun, a local tradition, doesn't go according to plan.

Samir is an amateur filmmaker. Along with his despotic father and older sister Roza he resides in “Shanghai”, a slum located in close proximity to downtown Baku, the capital of the oil rich Republic of Azerbaijan. By sheer accident, Samir captures a video of Roza getting intimate with her boyfriend.

On New Year's Eve at the Center for Medical and Social Rehabilitation for people with disabilities who suffer from cerebral palsy, doctors prepare a New Year performance and a concert for their patients. After all, many of them live here permanently, and for them this holiday became the only spectacle that they can see "live".