Directing
A mother needs her son after her husband's betrayal.
An archaeologist and a weapons designer, who knew each other in a previous life as a filmmaker and a psychoanalyst, meet at an excavation site in the Negev desert and begin a conversation about love and war, which they continue in the Israeli city of Be’er Sheva. A series of encounters with alternating actors in different roles ensues, which leads the viewer through the cities of Athens, Berlin, Hong Kong and São Paulo. Among those appearing are: an old artist who meets his younger self; a mother who lives with her two grown-up sons, a priest and a policeman; a Chinese and a Japanese woman; a curator and a cosmologist.
The first 20 years of the film-maker's life he grew up in two places: in Jerusalem, and in an ashram in India, a thing he had to keep a secret. in the ashram it wae expected of him to devote his entire being to his guru. Thus, in his words, he could finally define the purpose of his life, understand the "truth" of the meaning of life and be enlightened 20 years later (quite a few in psychological therapy), the director sets out on a quest to find out what was hidden in his life in India, why his life in the Ashram still affects him even when he has not visited in years, And whether he grew up in a cult.
Sarai Golden sets out on a mission to change her fate. She will do whatever it takes to land a job she is considerably under qualified for. Even if it means she does it in a not so conventional manner.
