Daiga Kažociņa

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

Suffering from insomnia, Arta develops a hobby of collecting pictures of other people sleeping. One night the girl accidentally locks herself out of the house and is forced to spend the night in the streets, dressed in pyjamas.

A father who has just been released from prison strives to reconnect with his son. Good intentions are hindered by unexpected obstacles. An unforgettable day spent by the two together might turn into the very last day for one of them.

At the end of the Second World War, when the German army retreated from Latvia, it also took along 700 boxes of materials from Latvian museums. If not for a young woman named Mērija Grīnberga, the exhibition halls of many museums in Latvia would be empty today. Grīnberga was the only volunteer who in 1944 went along with the train carrying the treasures of Latvian art in order to return with them back to Riga. The German occupying forces tried to take them away; the Soviet occupation forces brought them back; Mērija completed her duty. As gratitude for her journey, Mērija was sacked from her job at the museum and incessantly viewed with suspicion.

A lonely woman, Zofia, lives in a radioactive zone. She tries to gather her courage to search for some company out there.

It’s not easy to make much sense of the world and grownups’ reasoning if one is only seven years old. This is a story about Justine and the morning of her birthday.

A mother gives birth to her newborn and gets filled with instant dread. She doesn’t want to see her child grow up and leave her. So she arranges to have her baby pushed back into her womb. Her son grows up inside of her, where she can keep him safe.

They met on Christmas Eve, beyond one's usual living-space: at the morgue. In an outburst of feelings, they try to manipulate each other in order to get what they want. She wants him, but he wants to vanish – following the rules of black comedy, neither one of them will get anything.

Three sisters, dead broke and disconnected from each other, travel around Europe with their mother’s corpse on top of their van, trying to minimize transportation costs. The trio has to talk, reminisce and maybe even admit that underneath their fantasies of perfection — these are women in a desperate search for freedom.