Karin Fischer

The two-part miniseries recounts the life of Amalie Hohenester.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

Munich Heinz and Herbert wants to escape the torturous confines of their home by swimming across the Atlantic.

A young woman wants to know who is responsible for the death of her parents. Ten years ago, little Sonja and her brother Niki Schmitt lost their parents in a car accident. Mayor Gassner provided accommodation for the two at that time. Sonja now returns to her hometown to solve the death of her parents. She blames Mayor Gassner until she learns the whole truth.

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An anxious teacher (played, as is the lead role in all his films, by the director) sits in a beer garden on the hill of the Andechs monastery. While flies drown in his mug of beer, he confronts a life of failure: the wife he ignored, the child he neglected, the teaching duties he has shirked, and his doomed efforts at winning tenure from school officials. Only a dream from the past-the memory of a former liaison with a film star with whom he shared "the Andechs feeling, a feeling that we are not alone" - provides sustenance. Despite an unexpected series of events, longing in Achternbusch's world ultimately remains stronger than fulfilment and thirst better than beer.

The children Sonja and Helmut Schmitt have lost their parents in a car accident. At first, their grandmother takes over the supervision and care of the two. When she no longer can take care of that due to her health, mayor and brewery operator Gassner provides them a new home. By doing this, he secures respect and approval in the village. What really happened isn’t suspected by anyone: The egocentric Gassner let his underage daughter drive his deregistered, medium-green old Mercedes. During that ride without a license, she caused the accident and forced her father to do an outwardly “good deed”. Because, if the truth came to light, Gassner would have to fear a defeat in the upcoming mayoral elections and damage to his reputation.