Directing
On New Year's Eve 2004, best friends Alice and Luiza go out drunk in their car and end up in a predicament. The next day, suffering from a hangover, they find themselves in yet another series of shenanigans while trying to find a solution to the previous night's incident.
A photojournalist from Belém records murder scenes daily. He lives with Doralice, in a symbiotic relationship where they try to meet his emotional, psychological and physical needs.
The story of Cris, a transgender person who is facing very difficult situations to their age.
Top, Citron, Brigitte and Camilo are a group of friends who have bought their tickets to ExĂlio. Unfortunately, sometimes they have to go back and do what normal people do: try to make some money, get dumped and try to get through the coming-of-age phase. They are decadent royalty who spend their nights far away from palaces and live in a rock editorial trying to spoil our generation's selfie.
In the near future, the world is ruled by a totalitarist government. In this context, three stories meet themselves and end in the best place to be at the end of the world: the Besta Pop (Pop Beast) party.
The fire of a lit candle. A bonfire burns beside a river. A young man and an old man are together in an old house, dark and surrounded by woods. Who are they: father and son, or past and present?
Three young people witnessed a mysterious event in the skies over the city of Imperatriz (MA). After a year, they decided to return to the location, even with storm warnings approaching. During this journey, they discovered that families were being secretly evacuated from the city. Faced with this mystery, the friends were confronted with the question: how to wake a city forced to sleep?
In an event hall, Parvati rehearses a choreography for her 16th birthday. She does not agree with the party, but ends up giving in to pressure from her mother, who has always dreamed of this moment. Dândi works in this salon, doing general service jobs. The two meet by accident in the cellar, when Parvati is running away from all the futility of her party and Dândi is resting from kitchen work. They end up recognizing in each other the same contempt for all the artificiality that surrounds them, finding music as a way to escape that reality.
