Firangiz Babayeva

Orkhan and Bahar sacrifice everything for their love. Hand in hand, they decide to walk together on a new but dangerous path. What will be their fate?

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

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An incredible love story. The script of the film is inspired by the Lezgins and reflects the fate of the Lezgin people. This is the first Lezgin feature film in the history of Azerbaijani cinema.

5 girls who have failed their relationships find their way to the "Ugly Girls Club". In that club, they learn successful ways to build relationships. Interesting things happen in the learning process.

The sons of two wealthy families get married. On the wedding night, the groom is murdered, the bride runs away from home, is raped, and the son of another wealthy family, who saves the bride from death, is wrongfully imprisoned.

The movie reflects the ecological environment of Sumgayit. After the collapse of the Soviet power, the old problems of the "new era" still persist. Although it is not mentioned in the movie, the new generation of people living in this city, which is named as Sumgayit, especially near poisonous plants, are born crippled and sick. There is a wide range of symbolic expressions in the film and there are interesting dream scenes.

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