Acting
Set in modern-day Baku, the story of two young lovers from vastly different financial backgrounds. Against the backdrop of a city divided by language and class, the film explores the contrast between those who pride themselves on speaking only Russian and those who, despite their struggles, strive to express themselves in Azerbaijani — revealing the deeper tensions of identity, pride, and belonging.
The events take place in and around the families of former officials. Thus, when the former minister, the former chief, the former manager get drunk, they first fall into a sea of grief, then forget that they have lost their positions, in short, a situation arises that cannot be avoided by ridicule.
Azerbaijanian family has found Armenian boy in the forest and raised him. But years after he betrays his country during the war.
A funny story happens to a block's residents. Everything begins when Tofig comes back from soldiering. Mommy wants to marry off his only son. His future father-in-law is a professor. But this professor is not like others.
Set in 1994 Baku, the film modernizes Üzeyir Hacıbəyov’s musical comedy "O olmasın, bu olsun" by recasting Rustam Bey as an opposition figure who hopes to reclaim his lost office by courting wealthy businessman Ibka’s family. As in the original, a series of comic deceptions and mismatched identities ensue, though all the principal characters have been updated to fit the post-Soviet Azerbaijani context.
The film tells a story about non-democratic and non-legal social events in the country of Azerbaijan.
The block's residents get a message from Tofig who has been hiding in Moscow saying that he is in trouble. They leave for Moscow to rescue him.
The film tells the story of the funny and entertaining love adventures of the protagonist Shirbala (Hajibaba Bagirov).
This film follows the events of the first film 28 years later.
In the film-play, events get tangled as a result of the lovers' miscommunication. Although the dramaturgical contradictions of the work are formed by various attitudes towards folk customs such as engagement and wedding, the play focuses on the contradictions of the characters, not the events.
After World War II, a group of young “robbers” redistributes the wealth of the rich to the poor while protecting the honor of women, especially the wives and sisters of soldiers at the front. Though branded outlaws by the law, their criminal yet benevolent deeds win the tacit approval of the local community.
The movie reflects the ecological environment of Sumgayit. After the collapse of the Soviet power, the old problems of the "new era" still persist. Although it is not mentioned in the movie, the new generation of people living in this city, which is named as Sumgayit, especially near poisonous plants, are born crippled and sick. There is a wide range of symbolic expressions in the film and there are interesting dream scenes.
